My Wife and I; Or, Harry Henderson's HistoryStowe, Harriet Beecher
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My Wife and I; Or, Harry Henderson's History
Stowe, Harriet Beecher
American fiction -- 19th century; Courtship -- Fiction; Marriage -- Fiction; Romance fiction
"So are curtains, and ottomans, and mirrors, and marble slabs, and
quantities of things which we shall do without. And then, you see, we
don't propose to _warm_ our house with a wood-fire, but only to adorn
it. It is an altar fire that we will kindle every evening, just to light
up our room and show it to advantage. How charming every thing looks at
your mother's in that time between daylight and dark, when you all sit
round the hearth, and the fire lights up the pictures and the books, and
makes every thing look so dreamy and beautiful!"
"You are a little poet, my dear; it will be your specialty to turn life
into poetry."
"And that is what I call woman's genius. To make life beautiful; to keep
down and out of sight the hard, dry, prosaic side, and keep up the
poetry--that is my idea of our 'mission.' I think woman ought to be,
what Hawthorne calls, 'The Artist of the Beautiful.'"
CHAPTER XLV.
MY WIFE'S WARDROBE.
Let not the reader imagine by the paragraph on Saratoga trunks that my
little wife had done what the Scripture assumes is the impossibility for
womankind, and as a bride forgotten her attire.
Although possessing ideas of great moderation, she had not come to our
mountain home without the appropriate armor of womanhood.
I interpreted the duties of a husband after the directions of Michelet,
and was my wife's only maid, and in all humility performed for her the
office of packing and unpacking her trunks, and handling all those
strange and wonderful mysteries of the toilet, which seemed to my eyes
penetrated with an ineffable enchantment.
I have been struck with dismay of late, in reading the treatises of some
very clever female reformers concerning the dress of the diviner sex.
It is really in contemplation among them to reduce it to a level as
ordinary and prosaic as it occupies among us men, heavy-footed sons of
toil? Are sashes and bows, and neck ribbons and tiny slippers and gloves
to give way to thick-soled boots and buckskin gauntlets and broadcloth
coats? To me my wife's wardrobe was a daily poem, and from her use of it
I derived the satisfaction of faculties which had lain dormant under my
heavy black broadcloth, like the gauzy tissue under the black horn wings
of a poor beetle. I never looked at the splendid pictures of Paul
Veronese and Titian in the Venetian galleries, without murmuring at the
severe edicts of modern life which sends every man forth on the tide of
life, like a black gondola condemned to one unvarying color. Those
gorgeous velvets in all the hues of the rainbow, those dainty laces and
splendid gems, which once were allowed to us men, are all swept away,
and for us there remains no poetry of dress. Our tailor turns us out a
suit in which one is just like another with scarce an individual
variation.
Public-domain text, read in full here on John Shaqi.
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