My Wife and I; Or, Harry Henderson's HistoryStowe, Harriet Beecher
General
My Wife and I; Or, Harry Henderson's History
Stowe, Harriet Beecher
American fiction -- 19th century; Courtship -- Fiction; Marriage -- Fiction; Romance fiction
If this picture seems absurd, then, it must be admitted that there is a
reason in nature why the dress of woman should forever remain different
from that of man, in the same manner that the hand of her Creator has
shaped her delicate limbs and golden hair differently from the rugged
organization of man. Woman was meant to be more than a worker; she was
meant for the poet and artist of life; she was meant to be the charmer;
and that is the reason, dear Miss Minerva, why to the end of time you
cannot help it that women always will, and must, give more care and
thought to dress than men.
To be sure, this runs into a thousand follies and extravagances; but in
this as in everything else the remedy is not extirpation, but direction.
Certainly my pretty wife's pretty toilets had a success in our limited
circle, which might possibly have been denied in fashionable society at
Saratoga and Newport. She was beauty, color, and life to our little
world, and followed by almost adoring eyes wherever she went. It was as
real an accession of light and joy to the simple ways of our household
to have her there, as a choice picture, or a marvelous strain of music.
My wife had to perfection the truly artistic gift of dress. Had she
lived in Robinson Crusoe's island with no one to look at her but the
paroquets and the monkeys, and with no mirror but a pool of water, she
would have made a careful toilet every day, from the mere love of
beauty; and it was delightful to see how a fresh, young, charming woman,
by this faculty of adornment, seemed to make the whole of the sober, old
house like a picture or a poem.
"She is like the blossom on a cactus," said my Uncle Jacob. "We have
come to our flower, in her; we have it in us; we all like it, but she
brings it out; she is our blossom."
In fact, it was charming to see the delight of the two sober, elderly
matrons, my mother and my aunt, in turning over and surveying the pretty
things of her toilet. My mother, with all her delicate tastes and love
of fineness and exquisiteness, had lived in these respects the
self-denied life of a poor country minister, who never has but one "best
pocket handkerchief," and whom one pair of gloves must last through a
year. It was a fresh little scene of delight to see the two way-worn
matrons in the calm, silvery twilight of their old age, sitting like a
pair of amicable doves on the trunks in our room, while my wife
displayed to them all her little store of fineries, and all three
chatted them over with as whole-hearted a zeal as if finery were one of
the final ends in creation.
Public-domain text, read in full here on John Shaqi.
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