When you have travelled far; when you think of Botha and his Boers
fighting for England; when you have found justice and fair play and
open markets under the British flag; when you compare the vociferations
of von Tirpitz glorying in the torpedoing of a _Lusitania_ with the
quiet manner of Sir John Jellicoe, you need only a little spark of
conscience to prefer the way that the British have used their sea-power
to the way that the men who send out Zeppelins to war on women and
children would use that power if they had it.
XXXIV
MANY PICTURES
The aviation grounds--Arabian Nights’ heroes and their magic
carpets--Corps’ spirit--A chivalric custom--Billeting in
French houses--Well-disciplined guests--Teaching the art of
war--Picturesque tribesmen from India--Their loyalty--British
justice--Matins and Angelus--Farming without men--The peasants
win--Greeting the French troops--Sir John French on duty--
“Inspecting and disinfecting”--The new “shilling a day” men--
Albert Edward, the “willing prince”--Care of the wounded.
A single incident, an impression photographic in its swiftness, a
chance remark, may be more illuminating than a day’s experiences. One
does not need to go to the front for them. Sometimes they come to the
gateway of our château. They are pages at random out of a library of
overwhelming information.
* * * * *
One of the aviation grounds is not far away. Look skyward at almost any
hour of the day and you will see a plane, its propeller a roar or a hum
according to its altitude. Sometimes it is circling in practice; again,
it is off to the front. At break of day the planes appear; in the
gloaming they return to roost.
If an aviator has leave for two or three days in summer he starts in
the late afternoon, flashing over that streak of Channel in half an
hour and may be at home for dinner without getting any dust on his
clothes or having to bother with military red tape at steamer gangways
or customs houses.
The airmen are a type, with certain marked characteristics. No nervous
man is wanted, and it is time for an aviator to take a rest at the
first sign of nerves. They seem shy and diffident, men of the kind
given to observation rather than to talking; men accustomed to using
their eyes and hands. It is difficult to realise that some quiet young
fellow, who is pointed out, has had so many hairbreadth escapes. What
tales, worthy of Arabian Nights’ heroes who are borne away on magic
carpets, they bring home, relating them as matter-of-factly as if they
had broken a shoelace.
Public-domain text, read in full here on John Shaqi.
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