The Opera alone seemed something like normal to one who trusted
his eyes rather than his ears for information. There was almost a
full house for the “Rosenkavalier”; for music is a solace in time
of trouble, as other capitals than Berlin revealed. Officers with
close-cropped heads wearing Iron Crosses, some with arms in slings,
promenading in the refreshment room of the Berlin Opera House between
the acts--this in the hour of victory should mean a picture of gaiety.
But there was a telling hush about the scene. Possibly music had
brought out the truth in men’s hearts that war, this kind of war, was
not gay or romantic, only murderous and destructive. One had noticed
already that the Prussian officer, so conscious of his caste, who
had worked so indefatigably to make an efficient army, had become
chastened. He had found that common men, butchers and bakers and
candlestick makers, could be as brave for their Kaiser as he. And more
of these officers had the Iron Cross than not.
The plenitude of Iron Crosses appealed to the risibilities of the
superficial observer. But in this, too, there was system. An officer
who had been in several battles without winning one must feel a trifle
declassed and that it was time for him to make amends to his pride. If
many were given to privates then the average soldier would not think
the Cross a prize for the few who had luck, but something that he, too,
might win by courage and prompt obedience to orders.
The masterful calculation, the splendid pretence and magnificent
offence, could not hide the suspense and suffering. Nowhere were you
able to forget the war or to escape the all-pervading influence of
the Kaiser. The empty royal box at the opera, his opera, called him
to mind. What would happen before he reappeared there for a gala
performance? When again in the shuffle of European politics would the
audience see the Czar of Russia or the King of England by his side?
It was his Berlin, the heart of his Berlin, that was before you when
you left the opera--the new Berlin, taking few pages of a guide
book compared to Paris, which he had fathered in its boom growth.
In front of his palace Russian field guns taken by von Hindenburg
at Tannenberg were exhibited as the spoils of his war; while the
Never-to-be-Forgotten Grandfather in bronze rode home in triumph from
Paris not far away.
Public-domain text, read in full here on John Shaqi.
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