The Crown Prince had passed into the background. He was marooned with
ennui in the face of the French trenches in the West, while all the
glory was being won in the East. Indeed, father had put son in his
place. One day, the gossips said, son might have to ask father, in the
name of the Hohenzollerns, to help him recover his popularity. His
photograph had been taken down from shop windows and in its place,
on the right hand of the Kaiser in the Sièges Allée of contemporary
fame, was the bull-dog face of von Hindenburg, victor of Tannenberg.
The Kaiser shared von Hindenburg’s glory; he has shared the glory of
all victorious generals; such is his histrionic gift in the age of the
spotlight.
Make no mistake--his people, deluded or not, love him not only because
he is Kaiser but also for himself. He is a clever man, who began his
career with the enormous capital of being emperor and made the most of
his position to amaze the world with a more versatile and also a more
inscrutable personality than most people realise. Poseur, perhaps, but
an emperor these days may need to be a poseur in order to wear the
ermine of Divine Right convincingly to most of his subjects.
His pose is always that of the anointed King of My People. He has never
given down on that point, however much he has applied State Socialism
to appease the Socialistic agitation. He has personified Germany
and German ambition with an adroit egoism and the sentiment of his
inheritance. Those critics who see the machinery of the throne may say
that he has the mind of a journalist, quick of perception, ready of
assimilation, knowing many things in their essentials but no one thing
thoroughly. But this is the kind of mind that a ruler requires, plus
the craft of the politician.
Is he a good man? Is he a great man? Banal questions! He is the Kaiser
on the background of the Sièges Allée, who has first promoted himself,
then the Hohenzollerns, and then the interests of Germany with all the
zest of the foremost shareholder and president of the corporation. No
German in the German hothouse of industry has worked harder than he.
He has kept himself up to the mark and tried to keep his people up to
the mark. It may be the wrong kind of a mark; but we are not discussing
that, and we may beg leave to differ without threshing the old straw of
argument.
That young private I met in the grounds at Charlottenberg, that
wounded man helping with the harvest, that tired hospital director,
the small trader in Hamburg, the sturdy Red Cross woman in the station
at Hanover, the peasants and the workers throughout Germany, kept
unimaginatively at their tasks, do not see the machinery of the throne,
only the man in the photograph who supplies them with a national
imagination. His indefatigable goings and comings and his poses fill
their minds with a personality which typifies the national spirit.
Will this change after the war? But that, too, is not a subject for
speculation here.
Public-domain text, read in full here on John Shaqi.
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