Kentucky -- History -- 19th century -- Fiction; Slavery -- United States -- Fiction
"I don't know, but I'd like to, ever so much."
"Then go with me."
"Oh, that would be delightful, and I will be ready when you call for
me. Do you dance?"
"I think," said he, "that I might have courage enough to rob a
stage-coach or to fight a duel in a dark room, but I'm afraid that I
couldn't summon the nerve to get out before a number of people and try
to dance."
"Oh, you wouldn't mind it at all. Just as soon as the music strikes up
you forget all about yourself. But isn't it dull about here? Nothing to
do but to sit about and wait. Last year I visited an aunt who lives in
Connecticut, and I had such a nice time. Everyone there is so active.
But, after all, I was kept angry a good deal over the negro question. I
never did get so tired of hearing a subject dinged upon. They hate us
and can't help showing it; and they actually believe that one of these
days they'll come down here, and, as they express it, turn the negroes
loose. They believe we keep them chained together all the time; and
that hateful book, 'Uncle Tom's Cabin,' is their bible. Have you ever
seen it?"
"My uncle brought a copy with him and I read it," Bob answered.
"I don't care for its principles, whether they are true or
false--literature being its own principle--but to me it bears the
mark of a political pamphlet that has happened to make a hit, strong
with prejudice but hasty and slip-shod in expression. To me there
is no art in it, no imagination but all sermon. The characters are
unreal, standing in the light of a red fire; they are talking-machines,
grinding out music-box melodies, set homilies; but the subject is
powerful and the book needs no art to give it force. And many a year
will pass before we hear the last of it."
"Why, Mr. Gradley, you can take an interest in light books after all.
I was afraid that you were determined to keep yourself chained to the
venerable masters of--of--what shall I say?--venerable masters of
profound thought. That will do, won't it?"
"Very appropriate, I assure you, but 'Uncle Tom's Cabin' can scarcely
be classed as a light book. It comes in a light garb but its nature is
most serious."
The horse shied at a piece of paper fluttering in the road, and with
a little scream she seized the lines. He asked her if she would give
them back when she should find that no longer was there any danger, and
laughing rhythmically and with blushes she returned the lines to him.
"No, apology and no embarrassment," said he. "It came of woman's
instinctive sense of protection, of her responsibility at a time of
peril."
"Now you are making fun of me, Mr. Gradley. Oh, boy (turning to look
at me). What's his name? Dan? Oh, yes. How's my horse coming on, Dan?
Well, for pity's sake, if he hasn't turned him loose."
Public-domain text, read in full here on John Shaqi.
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