I further found with the three bodies of the third tomb two golden ornaments, representing two women, each having a pigeon on her head. One of them (No. 268) has also a pigeon attached to each arm. Both women are of the same type and have a long pointed nose, which protrudes in a straight line from the forehead, and large eyes. The heads of both are crowned with a diadem. Each has a hollow in the left cheek, which is alone visible; both touch their breasts with the hands, and this must be a symbol of fertility or abundance. I call attention to the resemblance in the attitude of these women to that of the numerous terra-cotta idols of Aphrodite from Cyprus, as well as to the so-called statue of Niobe on the rock of Sipylos, which also touch their breasts with both hands. The four pigeons are represented with spread wings, as if they were flying. The first woman (No. 267) has four perforations and her bird has two, by which this ornament was sewn on the clothes or drapery. On the other hand, the woman with the three pigeons has evidently been fixed to something else with two small gold pins, the broad heads of which we see, the one between the knees of the woman, the other on her belly. [Illustration: No. 269. Golden Ornament. Sepulchre III. Actual size.] [Illustration: Nos. 270, 271. Two Golden Cuttle Fish. Sepulchre III. Actual size.] I further found in the same tomb golden ornaments like No. 269, but I find it difficult to explain whether the artist intended to represent a horse, a hippocampus, or a dog. Of golden ornaments in the form of cuttle-fish, or sepias, I found not less than twenty-seven of the shape of those represented under Nos. 270 and 271. All of them are double, that is to say, two sepias are always soldered together, so that the ornament represents a sepia on either side. The Mycenean goldsmith, always eager to convert everything into spirals, has done so here with all the feet of the sepias, every one of which forms a beautiful spiral. Some of the sepias, like No. 270, have in addition four perforations for fixing them with thread. How these ornaments may have been used is altogether a riddle to me. No. 272 represents a flying griffin of gold. Like No. 261, it has the body of a lion, the head and wings of an eagle, and is ornamented with spirals. As it has no perforations, it must have been fastened with glue on the drapery. [Illustration: No. 272. A Flying Griffin of Gold. Sepulchre III. Actual size.] [Illustration: No. 273. Golden Ornament. Sepulchre III. Actual size.]