The whole immense sepulchre was strewn with small gold leaves, of which I collected about 200 grammes, or more than half a pound troy. I found them in masses even below the bodies, and I have, therefore, no doubt that they were spread in the tomb before the funeral piles were dressed there. I also collected from this sepulchre two silver goblets, two silver bowls, ten silver vases, which latter are all broken, and finally three large silver vessels and a small one, which are plated with copper, and are very flat. I presume, therefore, that they have been used as basins or as a kind of saucers for large silver vases. I further found a wooden comb, with a large curved golden handle, which has evidently served for the forehead, to hold back the hair. [Sidenote: GOLD MODEL OF A TEMPLE.] [Illustration: No. 423. Model of a Temple, in Gold. Sepulchre IV. Actual size.] Perhaps the most curious objects of all are five small edifices of gold in _repoussé_ work, of which I represent one (No. 423). They are too small for dwelling-houses, and I suppose, therefore, that they were intended to represent small temples or sanctuaries. In this belief I am strengthened, alike by the four horns on the top, by the pigeons with uplifted wings which are sitting at either side, and by the column with a capital, which is represented in every one of the three door-like niches. I call the reader's particular attention to the similarity of these columns to the column represented between the two lions above the Lions' Gate. It is also deserving of special notice that the slanting lines to the right and left of the columns give to these niches a striking resemblance with the tombs and their slanting walls. Below the three niches we see distinctly indicated four courses of masonry of large wrought stones. Of capital interest is the tower-like upper part of the building, which appears to represent a wooden structure, and in the middle of which are three curious signs resembling letters. I would remind the reader of the coins of Paphos, on which is represented a temple of Aphrodité, with a pigeon sitting on each gable-end. [Illustration: No. 424. A Cuttle-fish in Gold. Sepulchre IV. Actual size.] I also collected from the tomb not less than fifty-three golden cuttle-fish (sepias), of which I represent one (No. 424). All these fifty-three sepias are perfectly alike, and have a curious ornamentation in relief representing spirals; all their arms are likewise curved into spiral forms. It is difficult to say how these sepias may have been used as ornaments; probably they were fastened on clothes and drapery; all appear to have been cast in the same mould, otherwise their _perfect_ resemblance is inexplicable. [Illustration: Nos. 425, 426. The two halves of a whorl-shaped object of thick Gold Plate. Sepulchre IV. Actual size.]