In No. 487, we see in the centre two spirals standing opposite each other, and surrounded by five concentric circles, then by an ornamentation of four signs in the form of a cornucopia, and by four circles, which form the border. In the following button (No. 488) we see in the middle a figure approaching the oval form, within which are spirals impossible to describe, the remaining space being filled up by a small border and a large number of curved lines and two signs resembling hand-saws, with handles of a spiral form. In No. 490, we see around the central circle two borders, of which the outer one is filled with a circular row of double circles, the inner one with a circular row of signs resembling a sling with a stone in it. The ornamentation of No. 491 is very beautiful, but I find it impossible to describe. As to the gold buttons of the second size, the only new pattern I found is No. 489; it represents in the centre a beautiful spiral in the shape of a coiled-up serpent, whose head is distinctly visible; around it are three concentric circles, and a border filled up with an ornamentation resembling a row of figs. [Illustration: Nos. 487-491. Ornamented Gold Buttons. Sepulchre I. Actual size.] [Illustration: Nos. 492-506. Ornamented Gold Buttons. Sepulchre I. Actual size.] Of the small buttons, I represent the new types under Nos. 492-499 and 501-512. I have added a couple of those whose patterns the reader has seen before, because of superior beauty. In No. 492 we see, within a small border of two circles, a flower-like ornament, with three inner and three outer circles; in No. 493, within a border with round or square signs, a spiral in the form of a serpent; in No. 494, two concentric denticulated circles; in No. 495, a spiral ornament, which very frequently occurs both here and at Troy; in No. 496, we see two concentric circles of small triangles; in No. 497, we again see a flower. No. 498 is a massive gold button, and represents a beautiful flower; it is perforated, and it may be that it never served as a button, but as a lid of a small golden can or bottle. In No. 499, we recognise the shape of a beautiful flower with two denticulated circles; No. 501 represents the very same ornament as No. 495; No. 502 and No. 503 represent flowers. The ornamentation of No. 504 is difficult to describe; if we turn the figure to the right it resembles the bust of a man; in No. 505, we see two spirals of a new shape; in No. 506 again a flower. No. 507 exhibits a treble 卐, with the arms converted into spirals, each of them terminating in a round point, which is joined by a stroke to the usual points, the marks of the four nails. No. 508 has no other ornament than four concentric circles; in No. 509, we see only a single 卐, with curved arms and the marks of the four nails; No. 510 exhibits an ornamentation resembling three knives with handles in the form of spirals; No. 511 is identical with No. 501; and finally No. 512 shows us a figure similar to