Authors, English -- 20th century -- Biography; Waugh, Alec, 1898-1981
One envies, sometimes, the people who were born a hundred years ago. It
must have been so easy to write then, when all the plots were new and
there were so few writers. To-day everyone is writing novels. One is
cultivating a soil that has yielded many harvests. One begins a story:
for a week, a month, a fortnight one is happy and excited, and then one
loses interest suddenly. It is _vieux jeu_, one says. It has all been
done so many times before. One is not good enough to make an old thing
new. Or, again, it may be that one can find no ending to a story, an
ending that has not become banal through other people’s exploitation of
it. This, for instance, this scene in a Soho restaurant: a small,
unobtrusive, unsensational, but very excellent foreign restaurant in
Dean Street, where I used to dine occasionally, in days when I had a
bungalow beneath the Downs, after a day’s football, before the last
train down to Sussex, when I was tired, when I did not want to be
disturbed by music and noise and laughter, when I wanted my eyes to rest
on quiet wallpaper and quiet dresses, when I knew exactly what I wanted,
and exactly where to find it; there: this one dramatic episode of which
it has been my fortune to be a witness.
I had only just taken my seat and begun my examination of the menu when
the double-doors of the restaurant swung open and a young girl paused
there in the doorway, looking round her with the expression of perplexed
embarrassment that the faces of young people assume in a strange place.
She made a pretty picture as she stood there, a fur cap fitting tightly
over the head, pressing the brown hair into a thick wave about her ears;
a small hand raised towards the throat, keeping in its place the
woollen scarf that was flung across the shoulder; a slim ankle
protruding beneath her skirt, a “tweazy” looking little thing; and if
her features were not beautiful, she had the prettiness of all young
girls whose figures are slim and graceful--the charm of the green leaf
and the bud, that fascinates a man more than beauty does, but that
passes quickly and lasts rarely into womanhood.
She stood there, looking round her for a moment, then the perplexed
expression left her; she smiled and walked down the centre of the room.
A man rose from a table in the corner and came to meet her. He was one
of those men whom it is almost impossible to describe, so much did he
resemble the rest of his sex in his dress, his manner, and the general
carriage of his person. He looked, and probably was, a gentleman; he was
about thirty years old; he had a small dark moustache, and he showed no
signs of baldness. Beyond that I could tell nothing. He was hidden in
complete security behind the technique of an upbringing.
Public-domain text, read in full here on John Shaqi.
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