Louise continued: "This morning, before any one was up, I came here
with the money, but it was not sufficient; and, without your
generosity, he would not have escaped the bailiffs. Probably, after my
departure, some one had gone to my room and discovered some traces
which had led to this discovery. A last service I ask of you, sir,"
said Louise, drawing out the rouleau of gold from her pocket; "will
you hand this money to M. Germain? I promised him not to tell any one
that he was employed at Ferrand's; but since you know it, I have not
been indiscreet. Now, sir, I repeat, before God, who hears me, and
before you, I have not said a word that is not true. I have not sought
to "--but, interrupting herself suddenly, Louise, much alarmed, cried,
"Oh, sir! look at my father! look at him! What is the matter with
him?"
Morel had listened to the last part of this narrative with somber
indifference, which Rudolph had explained to himself by attributing it
to the overwhelming grief of this unhappy man. After so many violent
shocks, so oft repeated, his tears were dried up, his sensibility
blunted--he has not even strength enough left to vent his indignation,
thought Rudolph.
He was mistaken. Like the flickering light of a lamp about to expire,
the reason of Morel, already strongly shaken, vacillated for some
time, showed forth now and then some last rays of intelligence, and
then suddenly became obscured.
Absolutely a stranger to what was said, to what passed around him, for
some moments the artisan had become mad!
Although his wheel was placed the other side of his work-table, and he
had in his hands neither diamonds nor tools, the artisan, attentively
occupied, imitated his ordinary occupations. He accompanied this
pantomime with a clacking noise with his tongue, like the wheel when
in operation.
"Oh, sir!" said Louise, with increased alarm; "look at my father!"
Then, approaching him, she said, "Father! father!"
Morel looked at his daughter with that vacant stare peculiar to
lunatics. Without ceasing for a moment his imaginary occupation, he
answered, in a soft and mournful voice, "I owe thirteen hundred francs
to the notary, the price of Louise's blood. I must work, work, work!
Oh! I will pay, pay, pay!"
"This is not possible! This cannot last! He is not altogether mad is
he?" cried Louise, in a heart-rending tone, "He will come to himself--
it is only momentary----"
"Morel, my friend," said Rudolph, "we are here. Your daughter is
alongside of you; she is innocent."
"Thirteen hundred francs," said the artisan, without looking at
Rudolph, and continuing his imaginary occupation.
"Father," cried Louise, throwing herself at his feet, and taking hold
of his hands, "it is I, Louise!"
"Thirteen hundred francs," repeated he, endeavoring to disengage
himself from Louise; "thirteen hundred francs, or else," added he, in
a low and confidential tone, "or else Louise is guillotined," and he
began to turn his wheel.
Public-domain text, read in full here on John Shaqi.
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