We have already said that nothing could be more cheerful than the approach
to this edifice, when, on coming from Paris, one entered it by the
poorhouse yard. Thanks to a forward spring, the elms and the lindens were
already beginning to shoot forth their leaves; the large plots of grass
were of a luxuriant growth; here and there the flower beds were enameled
with crocuses, primroses, and auriculas. The sun was shining brightly, and
the old pensioners, dressed in gray coats, were walking up and down, or
seated on the benches; their placid countenances expressed calmness, or a
kind of tranquil indifference. Eleven o'clock had just struck, when two
carriages stopped before the outer gate: from the first descended Madame
George, Germain, and Rigolette; from the second, Louise Morel and her
mother. Germain and Rigolette had been married a fortnight. We will leave
the reader to imagine the saucy gayety, the lively happiness, which shone
in the blooming visage of the grisette, whose rosy lips were only opened to
smile or embrace Madame George, whom she called her mother. The features of
Germain expressed a felicity more calm, more reflecting, more grave; there
was mingled with it a feeling of profound gratitude, almost of respect,
toward this noble and excellent girl, who had offered him in prison
consolations so sustaining and delightful, which Rigolette did not seem to
recollect the least in the world; thus, as soon as Germain turned the
conversation on this subject, she spoke of something else, saying these
recollections made her sad. Although she had become Madame Germain, and
Rudolph had settled on her forty thousand francs, Rigolette had not been
willing (and her husband was of the same opinion) to change her grisette
cap for a hat. Certainly, never had humility served better an innocent
coquetry; for nothing could be more becoming, more elegant, than her little
cap, ornamented on each side with orange bows, which contrasted well with
her shining black hair, now worn in long ringlets, since she had _time_ to
put them in paper; around her charming neck she wore a richly-embroidered
collar and a scarf of French cashmere of the same shade as the ribbons of
her cap, which half concealed her fine person; and although she wore no
corset, according to her usual custom, her dress showed not the slightest
wrinkle on her slender figure. Madame George contemplated her son and
Rigolette with quiet happiness.
Public-domain text, read in full here on John Shaqi.
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