"Madame, we are going to set out; will you take something?" said the
executioner, obsequiously.
"Thank you; to-night I will take a drink of sawdust."
And the widow after this new sarcasm stood up erect. Although her step was
firm and resolute, the executioner obligingly wished to assist her; she
made a gesture of impatience and said, in a harsh and imperious tone:
"Do not touch me; I have a firm step and a good eye. On the scaffold you
will see I have a good voice, and if I speak words of repentance."
And the widow, leaving the dungeon, escorted by the executioner and an
assistant, entered the corridor. The two other assistants were obliged to
carry Calabash in a chair; she was dying. After having traversed the whole
length of the corridor, the funeral procession ascended the same staircase,
which conducted to a court on the outside. The sun, with its warm and
golden light, gilded the tops of the high white walls which surrounded the
court, and strangely contrasted with the pure blue of the sky. The air was
soft and balmy; never was a spring morning more smiling, more magnificent.
In this court were seen a detachment of police, a cab, and a long, narrow
vehicle, painted yellow, drawn by three post horses, which neighed gayly,
shaking little bells on their harness. This vehicle was entered from behind
like an omnibus. This was the cause of a last joke from the widow.
"The conductor will not say full?" said she, as she mounted the step as
lightly as the cord which confined her ankles would allow.
Calabash, expiring, sustained by an assistant, was placed in the carriage
opposite her mother, and the door was closed. The hackney-coachman had
fallen asleep; the executioner shook him.
"Excuse me, citizen," said he, descending hastily from his seat; "but a
night in Mid-Lent is rough. I had just taken to Vendanges de Bourgogne a
load of maskers, who were singing, '_La mére Godichon_,' when you engaged
me by the hour. I--"
"Enough. Follow this vehicle to the Boulevard St. Jacques."
"Excuse me, citizen. An hour ago I was going to the 'Vendanges;' now to the
guillotine! That proves that, as the saying is, there are queer ups and
downs in life!"
The two vehicles, preceded and followed by the gendarmes, left Bicetre and
took the road to Paris.
* * * * *
We have presented the picture of the toilet of the condemned in all its
frightful reality, because it seems to us that we can derive from it
powerful arguments. Against punishment of death. Against the manner in
which it is applied. Against the effects which must be expected from such
an example given to the populace.
The toilet, although divested of that solemnity, at once imposing and
religious, which ought, at least to surround all the acts of the highest
punishment known to the laws, is the most impressive of all the ceremonies
attending the execution of a criminal, and yet it is concealed from the
multitude.
Public-domain text, read in full here on John Shaqi.
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