You know, Maximilian, how much of a fatalist I am; I would have returned to
the abbey, to spare myself the vexations which I foresaw; fate opposed it;
I abandoned myself to my star. You do not know the grand ducal palace of
Gerolstein, my friend. According to all those who have visited the capitals
of Europe, there is not, with the exception of Versailles, a royal
residence, of which the whole pile of building, and the avenues to it, have
a more majestic aspect. If I enter into some details on this subject, it is
that, in recalling at this hour these imposing splendors, I ask myself why
they did not all at first call up my nothingness; for the Princess Amelia
was the daughter of the sovereign of this palace, of these guards, of this
great wealth. The court of marble, a vast hemicycle, is so called because,
with the exception of a broad path around it, in which the carriages pass,
it is paved with marble of every color, having magnificent mosaics. In the
center of it is placed an immense basin of antique marble, fed by abundant
springs of water, which fall continually into a large porphyry vase. This
court of honor is surrounded by a row of white marble statues, of the
finest execution, bearing torches of gilded bronze, from whence floods of
dazzling gas are poured out. Alternating with these statues, Medicean
vases, raised on their richly-sculptured pedestals, contain enormous
rose-laurels, real flourishing shrubs, whose lustrous foliage, seen in the
resplendent light, shines with a metallic verdure.
Public-domain text, read in full here on John Shaqi.
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