Mysteries of Police and Crime, Vol. 1 (of 3)Griffiths, Arthur
History
Mysteries of Police and Crime, Vol. 1 (of 3)
Griffiths, Arthur
Crime; Police
Vidocq now took the tavern-keeper into his confidence, warned him that
he had under his roof a very dangerous robber, and that this lodger was
only waiting a favourable chance to rob his till. The first night that
the receipts had been good the ruffian would certainly lay hands upon
the money. The tavern-keeper was only too glad to accept the assistance
of the police, and promised to admit them whenever required. One night,
when Fossard had returned home early and gone to bed, Vidocq and his
comrades were let in during the small hours, and the following trick was
arranged. The tavern-keeper had with him a little nephew, a child of
ten, precocious and ready to earn an honest penny. Vidocq easily taught
him a little tale. The child was to go upstairs to Fossard's door in the
early morning, and ask Fossard's wife for some eau-de-cologne, saying
his aunt was unwell. The child played his part well; he went up, closely
followed by the police in stockinged feet; he knocked, gave his message,
the door was opened to him, and in rushed the officers, who secured
Fossard before he was well awake.
In these later days of the First Empire the police, as we have seen,
were more actively engaged in political espionage than in the detection
of crime, and Paris was very much at the mercy of criminals. There were
whole quarters given up to malefactors--places, particularly beyond the
Barrier, which offered a safe retreat to convicts, thieves, the whole
fraternity of crime, into which no police-officer was bold enough to
enter. Vidocq volunteered to clear out at least one of them, a tavern
kept by a certain Desnoyez, always a very favourite and crowded resort.
Accompanied by a couple of police officers and eight gendarmes, he
started off to execute a job for which his superiors declared that he
needed a battalion at least. But on reaching the tavern he walked
straight into the salon, where a Barrier ball was in progress, stopped
the music, and coolly looked around. Loud cries were raised of "Turn him
out!" but Vidocq remained imperturbable, and exhibiting his warrant,
ordered the place to be cleared. His firm aspect imposed upon even the
most threatening, and the whole company filed out one by one past
Vidocq, who stationed himself at the door. Whenever he recognised any
man as a person wanted or a dangerous criminal, he marked his back
adroitly with a piece of white chalk as a sign that he should be made
prisoner outside. This was effected by the gendarmes, who handcuffed
each in turn, and added him to a long chain of
[Illustration: VIDOCQ STOPS THE MUSIC (p. 352).]
prisoners, who were eventually conducted in triumph to the Prefecture.
Public-domain text, read in full here on John Shaqi.
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