Mysterious Psychic Forces: An Account of the Author's Investigations in Psychical Research, Together with Those of Other European SavantsFlammarion, Camille
Philosophy
Mysterious Psychic Forces: An Account of the Author's Investigations in Psychical Research, Together with Those of Other European Savants
Flammarion, Camille
Parapsychology -- Investigation; Spiritualism
During the sitting an event took place which deserves to be mentioned
as a proof, or at least as an indication, of the _intelligent_
character of the force in question.
Being face to face with Mme. Paladino, at a point in the table the
most removed from her, I complained that I had not been touched as had
the four other persons who formed the company. No sooner had I said
this than I saw the heavy curtain sweep out and come and hit me in the
face with its lower edge, at the same time that I felt a light blow
upon the knuckles of my fingers, as if from a very fragile and light
piece of wood.
Next a formidable blow, like the stroke of the fist of an athlete, is
struck in the middle of the table. The person seated at the right of
the medium feels that he is grasped in the side; the chair in which he
was seated is taken away and placed upon the table, from which it then
returns to its place without having been touched by anybody. The
experimenter in question, who has remained standing, is able to take
his seat in the chair again. The control of this phenomenon left
nothing to desire.
The blows are now redoubled, and are so terrific that it seems as if
they would split the table. We begin to perceive hands lifting and
inflating the curtains and advancing so far as to touch first one,
then the other, of the company, caressing them, pressing their hands,
daintily pulling their ears or clapping hands merrily in the air above
their heads.
It seems to me very singular and perhaps intentional,--this contrast
between the touches (sometimes nervous and energetic, and again
delicate and gentle, but always friendly) and the deafening, violent,
brutal blows struck upon the table.
A single one of these fist-blows, planted in the back, would suffice
to break the vertebral column.
The hands that perform these feats are the strong and brawny hands of
a man, the daintier hands are those of a woman, the very small hands
those of children.
The darkness is rendered a little less dense, and at once the chair of
No. 5 (Professor Morselli), which had already made a jump to one side,
is slipped from under him, while a hand is placed on his back and on
his shoulder. The chair gets up on the table, comes down again to the
floor, and, after different horizontal and vertical oscillations,
soars up and rests upon the head of the professor, who has remained
standing. It remains there for some minutes in a state of very
unstable equilibrium.
The loud blows and the delicate touches of hands, large and small,
succeed each other uninterruptedly in such a way that, without our
being able mathematically to prove the simultaneousness of different
phenomena, it is yet almost certain in several cases.
Public-domain text, read in full here on John Shaqi.
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