This thing was tried again. Eusapia and her chair were transported again to the top of the table, only, this time, the result of the fatigue undergone by her was such that the poor woman fell in a faint upon the table. We lifted her down with all due care. The experimenters desired to know whether these phenomena, the success of which depends in so great measure upon the conditions of light, could not have better success in the white and quiet light of the moon. They were obliged to admit that there was no appreciable difference between the lunar light and other kinds. But the table around which they had formed the chain quitted the veranda where the sitting was being held, and, in spite of the strongly expressed wishes of the sitters and of the medium herself, betook itself into the neighboring room, where the sitting then continued. This room was a little salon crowded with elegant furniture and fragile objects, such as crystal chandeliers, porcelain vases, bric-a-brac, etc. The experimenters feared very much that these things would suffer damage in the bustle of the seance; but not the slightest object suffered any damage. Mme. Paladino, who was now herself again, took the hand of No. 11 and placed it gently upon the back of a chair, at the same time placing her own hand upon his. Then, as she lifted her hand and that of No. 11, _the chair followed the same ascending movement_ several times in succession. This thing was repeated in full light. No. 5, as well as other gentlemen, perceived, in a manner that admitted of no doubt, a vague, indistinct figure thrown upon the air in the doorway of an antechamber which was feebly illuminated. The figure consisted of changing and fugitive silhouettes, sometimes with the outline of a human head and body, sometimes like hands reaching out from the curtains. Their objective character was demonstrated by the agreement of impressions, which were controlled in their turn by means of continual inquiries. There was no possibility of their being shadows voluntarily or involuntarily projected by the bodies of the experimenters, since we were mutually watching each other. The tenth seance (the last) was one of the best-attended, and was perhaps the most interesting of all. Scarcely has the electric light been extinguished when we remark an automatic movement of the chair upon which a lump of plaster has been placed, while the hands and feet of Eusapia are watchfully controlled by me and by No. 3. However, as we wish to forestall the objection of critics that the phenomena take place in the dark, the table typtologically (that is, by taps) asks for light, and the experimenters light the electric lamp.