Mysterious Psychic Forces: An Account of the Author's Investigations in Psychical Research, Together with Those of Other European SavantsFlammarion, Camille
Philosophy
Mysterious Psychic Forces: An Account of the Author's Investigations in Psychical Research, Together with Those of Other European Savants
Flammarion, Camille
Parapsychology -- Investigation; Spiritualism
She has now returned to her habitual intimacy. We took her to the
Museum at the Louvre, which she had not visited, then to a meeting
with M. Jules Bois who was making suggestion-experiments with Mme.
Lina. Eusapia is very much interested in these. We speak of the jests
and mimickings of the comedians.
In the evening, at dinner, the brilliant conversation of Victorien
Sardou, the repartees of Col. de Rochas, the questions (a little
insidious) of Brisson, all interest her but it is evident that she
never forgets herself. Thus, before dinner, she tells me that she has
the headache, especially in the neighborhood of her wound, passes her
hand through her hair ("which hurts her"), and asks me for a brush.
"In order," she says, that "in case of a seance experiment, a stray
hair shall not be found in the wrong place." And she carefully brushes
her shoulders. I do not always appear to understand her. But there is
no doubt that she understands that we have--found a hair!
IV.
(MORE RECENT NOTE,--MARCH, 1906.)
On Thursday, March 29, Eusapia, being in Paris, came to see me. I had
not seen her since her seances at my house in November, 1898. We kept
her to dinner, and after dinner I asked her to take part with me in
some experiments.
I first asked her to place her hands upon the piano, thinking that
perhaps some of its strings would vibrate. But nothing happened.
I then induced her to place her hands on the covered keyboard. She
asked that it be slightly opened by means of a little block. I placed
my hands upon it, by the side of hers. My object was, by keeping up
contact, to keep her from slipping a finger over the keys. She kept
trying to substitute one hand for the two that I held, in such a way
as to leave one of them free, and a few notes sounded. Result of the
experiment, _nil_. We left the piano and went over to a white-wood
table. We got some insignificant balancings.
"Is there a spirit there?"
"Yes" (indicated by three raps.)
"Does it wish to communicate?"
"Yes."
I pronounce slowly and in their proper order the letters of the
alphabet.
Reply, "_Tua matre_," ("thy mother.")
This certainly means "Tua madre." (note once more that Eusapia does
not know how to read or write.)
Eusapia noticed that I was in mourning and I had told her that my
mother had died on the first of last July. I then asked to be told her
name. (Eusapia does not know it.)
No reply.
The movements of the table which were next asked for gave no results
of any particular value.
Public-domain text, read in full here on John Shaqi.
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