Detective and mystery stories; England -- Fiction; Murder -- Investigation -- Fiction
“Ah, now I see!” Mme. Laurent-Desrousseaux exclaimed, not at all
unsusceptible to the turn of Sir Clinton's phrase. “You mean the
difference between the cab-horse and the stepper?”
“Exactly,” Sir Clinton agreed with an impassive face.
Armadale was still puzzling over the two footprints. Mme.
Laurent-Desrousseaux, evidently wearying of standing with one foot off
the ground, recovered her shoe from him and slipped it on again. Sir
Clinton took pity on his subordinate.
“Here's the explanation, inspector. When you walk in sand, you put
down your heel first. But as the sand's soft, your heel goes forward
and downward as you plant your foot. Then, as your body moves on, your
foot begins to turn in the sand; and when you've come to the end of
your step, your toe also is driven downwards; but instead of going
_forward_, like your heel, it slips backward. The result is that in
the impression the heel is too far forward, whilst the toe is in the
rear of the true position—and that means an impression shorter than
the normal. On the sand, your foot really pivots on the sole under the
instep, instead of on heel and toe, as it does on hard ground. If you
look at these impressions, you'll find quite a heap of sand under the
point where the instep was; whilst the heel and toe are deeply marked
owing to each of them pivoting on the centre of the shoe. See it?”
The inspector knelt down, and Wendover followed his example. They had
no difficulty in seeing Sir Clinton's point.
“Of course,” the chief constable went on, “in the case of a woman's
shoe, the thing is even more exaggerated owing to the height of the
heel and the sharpness of the toe. Haven't you noticed, in tracks on
the sand, how neat any woman's prints always look? You never seem to
find the impression of a clumsy foot, simply because the impression is
so much smaller than the real foot. Clear enough, isn't it?”
“You are most ingenious, Sir Clinton,” Mme. Laurent-Desrousseaux
commented. “I am very glad indeed that I have not you against me.”
Sir Clinton turned the point.
“The inspector will bring you a copy of the evidence you have so
kindly given us, madame, and you will do us the favour to sign it. It
is a mere formality, that; but we may need you as a witness in the
case, you understand?”
Rather ungraciously, Mme. Laurent-Desrousseaux agreed. It was evident
that she had hoped to escape giving evidence in court.
“I do not desire to offer testimony against the young Madame Fleetwood
if it could be averted,” she said frankly. “She was good to me once or
twice; very gentle, very kind—not like the others in the hotel.”
The inspector shrugged his shoulders, as though the matter were out of
his hands; but he made no reply.
“You will, of course, say nothing about this to anyone, madame,” Sir
Clinton warned her, as they walked across the sands to the car.
Public-domain text, read in full here on John Shaqi.
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