Mystic London; or, Phases of occult life in the metropolisDavies, Charles Maurice
History
Mystic London; or, Phases of occult life in the metropolis
Davies, Charles Maurice
London (England) -- Description and travel; London (England) -- Social life and customs -- 19th century; Occultism
Through sheer length of service, then, if on no other account, I had
grown somewhat blase with the ordinary run of manifestations. Spirit
Faces no longer interest me; for I seek among them in vain the
lineaments of my departed friends. Spirit Hands I shake as unconcernedly
as I do those of my familiar acquaintances at the club or in the street.
I have even cut off a portion of the veil of Miss Florence Maple, the
Aberdeen Spirit, and gone away with it in my pocket: so that it was, at
all events, a new sensation when I received an invitation to be present
at a trance seance, where one of the Higher Spirits communicated to the
assembled things undreamed of in mundane philosophy. The sitting was a
strictly private one; so I must not mention names or localities; but
this does not matter, as I have no marvels in the vulgar sense of the
word to relate: only Higher Teachings, which will do just as well with
asterisks or initials as with the names in full.
The scene, then, was an artist's studio at the West End of London, and
the medium a magnetic lady with whom I had frequently sat before, though
not for the "Higher" teachings. Her instruction had so far come in the
shape of very vigorous raps, which ruined my knuckles to imitate them,
and in levitation of a small and volatile chess table, which resisted
all my efforts to keep it to the paths of propriety. This lady was not
young; and I confess frankly this was, to my thinking, an advantage.
When I once told a sceptical friend about Miss Florence Cook's seance,
and added, triumphantly, "Why, she's a pretty little simple girl of
sixteen," that clenched the doubts of this Thomas at once, for he
rejoined, "What is there that a pretty little _simple_ girl of sixteen
won't do?" Miss Showers is sweet sixteen, too; and when "Peter" sings
through her in a clear baritone voice, I cannot, despite myself, help
the thought occasionally flitting across my mind, "Would that you were
six-and-twenty, or, better still, six-and-thirty, instead of sixteen!"
Without specifying to which of the two latter classes our present medium
belonged, one might venture to say she had safely passed the former. She
was of that ripe and Rubens-like beauty to which we could well imagine
some "Higher" spirit offering the golden apple of its approval, however
the skittish Paris of the spheres might incline to sweet sixteen. I had
a short time before sat infructuously with this lady, when a distressing
contretemps occurred. We were going in for a dark seance then, and just
as we fancied the revenants were about to justify the title, we were
startled by a crash, and on my lighting up, all of the medium I could
see were two ankles protruding from beneath the table. She had fainted
"right off," as the ladies say, and it required something strong to
bring her to. In fact, we all had a "refresher," I recollect, for
sitting is generally found to be exhausting to the circle as well as to
the medium.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account