Mystic London; or, Phases of occult life in the metropolisDavies, Charles Maurice
History
Mystic London; or, Phases of occult life in the metropolis
Davies, Charles Maurice
London (England) -- Description and travel; London (England) -- Social life and customs -- 19th century; Occultism
A now celebrated medium, Mrs. Guppy, nee Miss Nicholl, was, in the days
of her maidenhood, a practitioner of photography in Westbourne Grove;
and, as far as I know, she might have been the means of opening up to
the denizens of the Summer Land this new method of terrestrial
operations. Ever on the qui vive for anything new in the occult line, I
at once interviewed Miss Nicholl and sat for my portrait, expecting at
the least to find the attendant spirit of my departed grandmamma or
defunct maiden aunt standing sentinel over me, as I saw departed
relations doing in many cartes de visite in the room. I confess there
was a kind of made-up theatrical-property look about the attendant
spirits which gave one the idea that the superior intelligences must
have dressed in a hurry when they sat or stood for their portraits. They
looked, in fact, if it be not irreverent to say it, rather like so many
bundles of pneumatical rags than respectable domestic ghosts. However,
as long as I got the ghosts I did not care about the dress. Tenue de
soir point de rigueur, I would have said, as they do outside the cheap
casinos in Paris, or "Evening dress not required," if one must descend
to the vernacular. Well, I sat persistently and patiently through I am
afraid to say how many operations, and the operator described me as
being surrounded by spirits--I always am according to Mediums, but my
spirits must be eminently unsociable ones, for they seldom give me a
word, and on this occasion refused to be "taken" as resolutely as the
bashful gentleman in the _Graphic_ who resisted the operations of the
prison officials to obtain a sun-picture of his interesting
physiognomy. There was indeed a blotch on one of the negatives, which I
was assured was a spirit. I could not see things in that light.
Foiled on this particular occasion my anxiety was dormant, but never
died out. I still longed for a denizen of the other world to put in an
appearance, and kept on being photographed over and over again until I
might have been the vainest man alive, on the bare hope that the artist
might be a Medium malgre lui or undeveloped. I had heard there were such
beings, but they never came in my way. I was really serious in this
wish, because I felt if it could be granted, the possibility of
deception being prevented, the objectivity of the phenomena would be
guaranteed. At this time I was heretical enough to believe that most
ghosts were due to underdone pork or untimely Welsh rare-bits, and that
the raps assigned to their agency were assignable to the active toes of
the Medium which might be anywhere and up to anything with the
opportunities of a dark seance.
Public-domain text, read in full here on John Shaqi.
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