We have now to explain how the different perspectives are ordered in one space. This is effected by means of the correlated "sensibilia" which are regarded as the appearances, in different perspectives, of one and the same thing. By moving, and by testimony, we discover that two different perspectives, though they cannot both contain the same "sensibilia," may nevertheless contain very similar ones; and the spatial order of a certain group of "sensibilia" in a private space of one perspective is found to be identical with, or very similar to, the spatial order of the correlated "sensibilia" in the private space of another perspective. In this way one "sensibile" in one perspective is correlated with one "sensibile" in another. Such correlated "sensibilia" will be called "appearances of one thing." In Leibniz's monadology, since each monad mirrored the whole universe, there was in each perspective a "sensibile" which was an appearance of each thing. In our system of perspectives, we make no such assumption of completeness. A given thing will have appearances in some perspectives, but presumably not in certain others. The "thing" being defined as the class of its appearances, if κ is the class of perspectives in which a certain thing θ appears, then θ is a member of the multiplicative class of κ, κ being a class of mutually exclusive classes of "sensibilia." And similarly a perspective is a member of the multiplicative class of the things which appear in it. The arrangement of perspectives in a space is effected by means of the differences between the appearances of a given thing in the various perspectives. Suppose, say, that a certain penny appears in a number of different perspectives; in some it looks larger and in some smaller, in some it looks circular, in others it presents the appearance of an ellipse of varying eccentricity. We may collect together all those perspectives in which the appearance of the penny is circular. These we will place on one straight line, ordering them in a series by the variations in the apparent size of the penny. Those perspectives in which the penny appears as a straight line of a certain thickness will similarly be placed upon a plane (though in this case there will be many different perspectives in which the penny is of the same size; when one arrangement is completed these will form a circle concentric with the penny), and ordered as before by the apparent size of the penny. By such means, all those perspectives in which the penny presents a visual appearance can be arranged in a three-dimensional spatial order. Experience shows that the same spatial order of perspectives would have resulted if, instead of the penny, we had chosen any other thing which appeared in all the perspectives in question, or any other method of utilising the differences between the appearances of the same things in different perspectives. It is this empirical fact which has made it possible to