We have seen that the momentary state of a "thing" is an assemblage of "sensibilia," in different perspectives, not all simultaneous in the one constructed time, but spreading out from "the place where the thing is" with velocities depending upon the nature of the "sensibilia." The time _at_ which the "thing" is in this state is the lower limit of the times at which these appearances occur. We have now to consider what leads us to speak of another set of appearances as belonging to the same "thing" at a different time. For this purpose, we may, at least to begin with, confine ourselves within a single biography. If we can always say when two "sensibilia" in a given biography are appearances of one thing, then, since we have seen how to connect "sensibilia" in different biographies as appearances of the same momentary state of a thing, we shall have all that is necessary for the complete construction of the history of a thing. It is to be observed, to begin with, that the identity of a thing for common sense is not always correlated with the identity of matter for physics. A human body is one persisting thing for common sense, but for physics its matter is constantly changing. We may say, broadly, that the common-sense conception is based upon continuity in appearances at the ordinary distances of sense-data, while the physical conception is based upon the continuity of appearances at very small distances from the thing. It is probable that the common-sense conception is not capable of complete precision. Let us therefore concentrate our attention upon the conception of the persistence of matter in physics. The first characteristic of two appearances of the same piece of matter at different times is _continuity_. The two appearances must be connected by a series of intermediaries, which, if time and space form compact series, must themselves form a compact series. The colour of the leaves is different in autumn from what it is in summer; but we believe that the change occurs gradually, and that, if the colours are different at two given times, there are intermediate times at which the colours are intermediate between those at the given times. But there are two considerations that are important as regards continuity.