THE ANIMAL AND HUMAN EXERCISE OF THE INTELLECT IN THE PERCEPTION OF THINGS. Apprehension is the act, both in animals and in man, by which the spontaneous and immediate animation of things and of phenomena is accomplished. It is therefore necessary to pause and consider this act, since it is, even in man, the source and foundation of the origin of myth, and in it we shall find the causes, elements, and action by which such a genesis is effected. This fact is so evident that the necessity of making such an inquiry might almost be taken for granted, since the truth can be ascertained in no other way. In the case of animal perception, which we have already considered, the external perception of an object is composed of three elements: the phenomenon perceived, the living subject with which this phenomenon is animated, and the vague yet real power involved in the life thus infused into it by the animal. Supposing any other animal to be the object perceived, these three elements are self-evident; since the phenomenon perceived in a given form causes the immediate assumption that it is a subject, actuated by a purpose of offence or defence, and hence follows the apprehension of a power capable of affecting him, which has in this case a real existence. Phenomenon, subject, effective power, follow in a rapid and inevitable sequence, and are instantly combined in the integral image formed of the object apprehended by the senses. In fact, an animal which fights with another, which seizes on his food as a prey, or which is in dread of some enemy or unfamiliar object, recognizes either the species or the individual from its external form, and constitutes it into an animated subject, and ultimately into an actively offensive or defensive power, or into one which satisfies his appetites. Such a fact, and such elements of the fact, recur in the whole animal kingdom, even among those which only apprehend external things by the sense of touch. As we ascend higher in the scale of animals to those who possess other senses and a more elaborate organism, we find the same fact in a more perfect and distinct form. Those animals which, since they are without the sense of sight, have no perception of distance, wait until their prey touches their antennae, mouths, or claws, and yet the same distinct act is accomplished in these three specified elements. They would not lie in wait for their prey, unless they had already formed a conception of its possible image, consisting of a form, subject, and effective force, combined in a single intuition. When this external prey is presented to the senses, the phenomenon, subject, and effective power arise in rapid succession, and are united in one unique consciousness. This truth appears from the animal's efforts not to let his prey escape destruction.