In this second stage of polytheism, anthropomorphism appears in an
external form, and the specific type is transformed into the idol which
represents and dominates over it, inspiring the commission of beneficent
or hurtful acts. Of this it is unnecessary to adduce examples, since all
the mythologies which have reached this polytheistic stage are
anthropomorphic, and in these the specific type, which serves as the
first step to polytheism, subsequently becomes a completely human idol.
After this anthropomorphic classification has been reached by logical
elaboration, a new field is opened for the reduction of special types
into those which are more general, as had been previously the case in
the early stages of myth. By continually concentrating, and at the same
time by enlarging the value of the conception, it is united in a single
form which constitutes the dawn and genesis of monotheism. This
methodical process, which is characteristic of human thought, may be
traced in all peoples which have really attained to the monotheistic
idea, in the Aryan and Semitic races, in China, Japan, and Egypt, in
Peru and Mexico; the belief may also be obscurely traced in an inchoate
form among savage and inferior tribes, as, for example, among the
Indians of Central and North America, and among some of the inhabitants
of Africa and barbarous Asia.
While this conception took a more or less definite form among the more
advanced peoples, the earlier and debased myths maintained their ground,
and still continue to do so. Of this we have examples in Europe itself,
and among its more civilized peoples which have been transplanted
elsewhere; for while in one direction a capacity for classification
leads to a purer monotheistic conception, and even to rational science,
the great majority of the common people, and even of those of higher
culture, still hold many ideas which are polytheistic and
anthropomorphic, and some which really belong to the debased stage of
fetishism and vulgar superstition.
Public-domain text, read in full here on John Shaqi.
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