Myth, Ritual And Religion, Vol. 2 (of 2)Lang, Andrew
Religion
Myth, Ritual And Religion, Vol. 2 (of 2)
Lang, Andrew
Myth; Mythology; Religion; Rites and ceremonies
* Suidas, His authority is Dionysius of Chalcis 200 BC,
See "Primitive Marriage in Bengal," Asiatic Quarterly,
June, 1886.
The other loves of Apollo are numerous, but it may be sufficient to have
examined one such story in detail. Where the tale of the amour was not a
necessary consequence of the genealogical tendency to connect clans with
gods, it was probably, as Roscher observes in the case of Daphne, an
Ætiological myth. Many flowers and trees, for example, were nearly
connected with the worship and ritual of Apollo; among these were
notably the laurel, cypress and hyacinth. It is no longer possible to do
more than conjecture why each of these plants was thus favoured, though
it is a plausible guess that the god attracted into his service various
local tree-worships and plant-worships. People would ask why the deity
was associated with the flowers and boughs, and the answer would be
readily developed on the familiar lines of nature-myth. The laurel is
dear to the god because the laurel was once a girl whom he pursued with
his love, and who, to escape his embraces, became a tree. The hyacinth
and cypress were beautiful youths, dear to Apollo, and accidentally
slain by him in sport. After their death they became flowers. Such myths
of metamorphoses, as has been shown, are an universal growth of savage
fancy, and spring from the want of a sense of difference between men and
things.*
The legend of Apollo has only been slightly sketched, but it is obvious
that many elements from many quarters enter into the sum of his myths
and rites.** If Apollo was originally the sun-god, it is certain that
his influence on human life and society was as wide and beneficent as
that of the sun itself. He presides over health and medicine, and over
purity of body and soul. He is the god of song, and the hexameter,
which first resounded in his temples, uttered its latest word in the
melancholy music of the last oracle from Delphi:--
Say to the king that the beautiful fane hath fallen asunder,
Phoebus no more hath a sheltering roof nor a sacred cell,
And the holy laurels are broken and wasted, and hushed is the wonder
Of water that spake as it flowed from the deeps of the Delphian well.
* See "Nature-Myths," antea. Schwartz, as usual, takes
Daphne to be connected, not with the dawn, but with
lightning. "Es ist der Gewitter-baum." Der Ursprung der
Mythologie, Berlin, 1860, pg. 160-162.
** For the influence of Apollo-worship on Greek
civilisation, see Curtius's History qf Greece, English
transl., vol. i. For a theory that Apollo answers to Mitra
among "the Arians of Iran," see Duncker's History of
Greece, vol, i. 173.
Public-domain text, read in full here on John Shaqi.
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