While the flying serpents of which we have just treated, will, if we
assent to the reality of their former existence, assist greatly in the
explanation of the belief in a winged dragon so far as Egypt, Arabia, and
adjacent countries are concerned, it seems hardly probable that they are
sufficient to account for the wide-spread belief in it. This we have
already glanced at; but we now propose to examine it in greater detail,
with reference to countries so distant from their habitat as to render it
unlikely that their description had penetrated there.
The poets of Greece and Rome introduce the dragon into their fables, as an
illustration, when the type of power and ferocity is sought for. Homer, in
his description of the shield of Hercules, speaks of "The scaly horror of
a dragon coiled full in the central field, unspeakable, with eyes oblique,
retorted, that askant shot gleaming fire." So Hesiod[198] (750 to 700
B.C., Grote), describing the same object, says: "On its centre was the
unspeakable terror of a dragon glancing backward with eyes gleaming with
fire. His mouth, too, was filled with teeth running in a white line, dread
and unapproachable; and above his terrible forehead, dread strife was
hovering, as he raises the battle rout. On it likewise were heads of
terrible serpents, unspeakable, twelve in number, who were wont to scare
the race of men on earth, whosoever chanced to wage war against the son of
Jove."
Here it is noteworthy that Hesiod distinguishes between the dragon and
serpents.
Ovid[199] locates the dragon slain by Cadmus in Bœotia, near the river
Cephisus. He speaks of it as being hid in a cavern, adorned with crests,
and of a golden colour. He, like the other poets, makes special reference
to the eyes sparkling with fire, and it may be noted that a similar
brilliancy is mentioned by those who have observed pythons in their native
condition. He speaks of the dragon as _blue_,[200] and terribly
destructive owing to the possession of a sting, long constricting folds,
and venomous breath.
Public-domain text, read in full here on John Shaqi.
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