These profess to date back so far as the Sung dynasty (A.D. 960 to A.D.
1127), and it is interesting to observe that the representations of tools
of husbandry then in use (Fig. 50, p. 232), and of the methods of hawking
(Fig. 46, p. 225), fishing (Fig. 47, p. 227), and the like, are such as
might be taken without alteration from those of the present day.
The drawings made by Kwoh P‘oh appear to have been lost in the sixth
century A.D.
[Illustration: FIG. 42.--THE K'I WITH BELLS. (_From the 'Rh Ya._)]
Notices of the dragon only appear incidentally in the _'Rh Ya_ as forming
part of the decoration of banners, &c.; but descriptions and figures of
the Chinese unicorn are given, and of other remarkable animals, of which I
shall eventually take notice.
These figures of dragons in the drawings of banners (Figs. 41-44) are
especially interesting; as there is fair reason to suppose that they at
least have been reproduced time after time from pre-existing ones with
tolerable accuracy; and that they give us a good notion of the general
character of the animal they purport to represent.
[Illustration: FIG. 43.--THE CHAO BANNER. (_From the 'Rh Ya._)]
[Illustration: FIG. 44.--THE K'I OR KIAO LUNG STANDARD. (_From the San Li
Tu._)]
I have appended a few _fac-similes_ of wood engravings from the _'Rh Ya_
on general subjects, in anticipation of others dealing with specialities,
which will be found in their appropriate positions; they will serve to
correct the notion that the Chinese are entirely devoid of artistic power
and imagination (Figs. 46-49).
THE "SHAN HAI KING" OR CLASSIC OF MOUNTAIN AND SEAS.
Short notices of this remarkable work are given by Mr. Alexander
Wylie[238] and Dr. Bretschneider,[239] and a more exhaustive one by M.
Bazin.[240]
[Illustration: FIG. 45.--ONE OF THE EAVE TILES FROM THE OLD IMPERIAL
PALACE OF NANKIN, showing the Five-clawed or Imperial Dragon, an emblem
which cannot be borne by any outside of the Imperial service, under the
penalty of death. Commoners have to be satisfied with a four-clawed
dragon.]
[Illustration: FIG. 46.--RETURN FROM THE CHASE. (_From the 'Rh Ya._)]
It is also largely quoted by Williams in his valuable Chinese dictionary.
Otherwise Sinologues appear to have entirely ignored it.
Mr. Wylie remarks that "it has long been looked upon with distrust; but
some scholars of great ability have recently investigated its contents,
and come to the conclusion that it is at least as old as the Chow dynasty,
and probably of a date even anterior to that period."
M. Bazin speaks of it as a fabulous description of the world, and
attributes it to Taouist writers in the fourth century of our era, who
forged the authority of the great Yü and Peh Yi. He thinks it would be
useless to attempt the identification of the localities given in it, and
offers a translation of a portion of the first chapter in support of his
views.
Public-domain text, read in full here on John Shaqi.
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