The clergyman, his son, and the lawyer went to the house about nine o'clock, and as they approached it a noise of fighting came from within--blows, the clink of steel, groans, and curses. Lights appeared, first at one window, then at another. The men rushed forward, burst in the door, and were inside--in darkness and silence. They had brought candles and lighted them, but the light revealed nothing. Dust lay thick on the floor except in the room where the clergyman had passed the previous night, and the door that he had then opened stood ajar, but the snow outside was drifted and unbroken by footsteps. Then came the sound of a fall that shook the building. At the same moment it was noticed by the other two men that young Galbraith was absent. They hurried into the room whence the noise had come. A board was wrenched from the wall there, disclosing a hollow that had been used for a hiding-place, and on the floor lay young Galbraith with a sack of Spanish coins in his hand. His father stooped to pick him up, but staggered back in horror, for the young man's life had gone. A post-mortem examination revealed no cause of death, and a rustic jury again laid it to a “visitation of God.” MARQUETTE'S MAN-EATER Until it was worn away by the elements a curious relief was visible on the bluffs of the Mississippi near Alton, Illinois. It was to be seen as late as 1860, and represented a monster once famous as the “piasa bird.” Father Marquette not only believed it but described it as a man-eater in the account of his explorations, where he mentions other zoological curiosities, such as unicorns with shaggy mane and land-turtles three feet long with two heads, “very mischievous and addicted to biting.” He even showed a picture of the maneater that accorded rudely with the picture on the rocks. It was said to prey on human flesh, and to be held in fear by the Indians, who encountered it on and near the Mississippi. It had the body of a panther, wings like a bat, and head and horns of a deer. Father Marquette gave it a human face. The sculpture was undoubtedly made by Indians, but its resemblance to the winged bulls of Assyria and the sphinxes of Egypt has been quoted as confirmation of a prehistoric alliance of Old and New World races or the descent of one from the other. It has also been thought to stand for the totem of some great chief-symbolizing, by its body, strength; by its wings, speed; by its head, gentleness and beauty. But may not the tradition of it have descended from the discovery of comparatively late remains, by primitive man, of the winged saurians that crawled, swam, dived, or flew, lingering on till the later geologic period? The legend of the man-eater may even have been told by those who killed the last of the pterodactyls. MICHEL DE COUCY'S TROUBLES