to a thorough examination by the German Professors Socin and Smend, with the result of correcting some of the received readings and of filling up some of the lacunæ. One of the most important discoveries that have been thus made is that the Israelites of the northern kingdom worshipped a Dodo or Dod by the side of Yahveh, or rather that they adored the supreme God under the name of Dodo as well as under that of Yahveh. Mesha, the Moabite king, in describing the victories which his god Chemosh had enabled him to gain over his Israelitish foes, tells us that he had carried away from Atarath 'the _arel_ (or altar) of Dodo and dragged it before Chemosh,' and from Nebo 'the _arels_ (or altars) of Yahveh,' which he likewise 'dragged before Chemosh.' Here the _arel_ or 'altar' of Dodo is placed in parallelism with the _arels_ of Yahveh; and it is quite clear, therefore, that Dodo, like Yahveh, was a name under which the deity was worshipped by the people of the land. I have suggested that Dod or Dodo was an old title of the supreme God in the Jebusite Jerusalem, and that hence Isaiah (v 1), when describing Jerusalem as the tower of the vineyard the Lord had planted in Israel, calls him Dôd-i, 'my beloved.' We can easily understand how a name of the kind, with such a signification, should have been transferred by popular affection from the Deity to the king of whom it is said that 'all Israel and Judah loved him' (I Sam. xviii 16)." Ea in Later Times Ea developed with the centuries, and about the epoch of Khammurabi appears to have achieved a high standard of godhead, probably because of the very considerable amount of theological moulding which he had received. In the later Babylonian period we find him described as the protagonist of mankind, the father of Merodach, and, along with Anu and Bel, a member of a great triad. The priests of Babylon were the sole mythographers of these days. This is in sharp contradistinction to the mythographers of Greece, who were nearly always philosophers and never priests. But they were mythographers in a secondary sense only, for they merely rearranged, re-edited, or otherwise altered already existing tales relating to the gods, usually with a view to the exaltation of a certain deity or to enable his story to fit in with those of other gods. It is only after a religion or mythological system has enjoyed a vogue more or less extended that the relationship of the gods towards one another becomes fixed.