Tiglath commences with the usual Oriental flourish of trumpets. He styles himself the powerful warrior who, in the service of Asshur, has trampled upon his haters, swept over them like a flood, and reduced them to shadows. He has marched, he says, from the sea to the land of the rising sun, and from the sea of the setting sun to Egypt. He enumerates the countless lands that he has conquered. The cities Sarrapanu and Malilatu among others he took by storm and captured the inhabitants to the number of 150,000 men, women, and children, all of whom he sent to Assyria. Much tribute he received from the people of the conquered lands--gold, silver, precious stones, rare woods, and cattle. His custom seems to have been to make his successful generals rulers of the cities he conquered, and it is noticeable that upon a victory he invariably sacrificed to the gods. His methods appear to have been drastic in the extreme. Irritated at the defiance of the people of Sarrapanu he reduced it to a heap of earth, and crucified King Nabu-Usabi in front of the gate of his city. Not content with this vengeance, Tiglath carried off his wealth, his furniture, his wife, his son, his daughters, and lastly his gods, so that no trace of the wretched monarch's kingdom should remain. It is noticeable that throughout these campaigns Tiglath invariably sent the prisoners to Assyria, which shows at least that he considered human life as relatively sacred. Probably these captive people were reduced to slavery. The races of the neighbouring desert, too, came and prostrated themselves before the Assyrian hero, kissing his feet and bringing him tribute carried by sailors. Tiglath then begins to boast about his gorgeous new residence with all the vulgarity of a _nouveau riche_. He says that his house was decorated like a Syrian palace for his glory. He built gates of ivory with planks of cedar, and seems to have had his prisoners, the conquered kings of Syria, on exhibition in the palace precincts. At the gates were gigantic lions and bulls of clever workmanship which he describes as "cunning, beautiful, valuable," and this place he called 'The Palaces of Rejoicing.' [Illustration: Capture of Sarrapanu by Tiglath-Pileser II.--Evelyn Paul.]