But a feature more peculiarly German than the wizards, are the
bewitched, often called the Sleepers. In these Germany incorporates, as
it were, the loftiest of her patriotic aspirations, the saddest of her
disappointments, the most persistent of her hopes. They represent not
only her old faith, that could never be completely eradicated, but
also her old favorites, a Hermann and a Siegfried, the hero of the
Nibelungen, a Theodoric and a Charlemagne, a Witikind and a Frederick
Barbarossa, a William Tell and a Charles V. Her heroes, her beloved,
her glory--she has not allowed them to fall into oblivion and be severed
from the present; she will not admit that they are dead, they are but
asleep. Witikind under the Siegberg in Westphalia, Charlemagne in the
lowest rooms of his old castle at Nuremberg. There--and not, as might
have been imagined, in Aix-la-Chapelle--the mighty old {382}Emperor
rests majestically, surrounded by his brave champions, ready to awake
again whenever God shall be pleased to tell him that the moment has
come.
As for Frederick Barbarossa, he sleeps in the Kyffhauser, one of the
porphyry and granite mountains of the Taunus, and so do others; there is
no denying the fact, for they have been seen!
A few years after his disappearance from this world, Frederick showed
himself upon the summit of one of these mountains, whenever the sound of
a musical instrument was heard in the valley. Knowing his love of music,
the Philharmonic Societies of Erfurth and of other towns to this day,
are fond of serenading the old warrior.
It is said that one evening, when the clock at Tilleda struck midnight,
certain musicians who had ascended the Kyffhauser, suddenly saw the
mountain open and a number of women adorned with jewels and carrying
torches, came out of the opening. They beckoned to them, the men
followed, continuing to play on their instruments and thus they came
where the Emperor was. The latter ordered a good supper to be served,
and when they were ready to leave again, the fair ladies of the court
escorted them back, with their torches in their hands, and at the last
moment gave to each of them a poplar branch. The poor musicians had
{383}hoped for better things from the Emperor’s generosity, and when
they reached the foot of the mountain, they threw their branches into
the road, very indignant at having been so badly treated. Only one among
the number kept his branch, and when he reached home, carefully stuck it
by the side of the consecrated bunch of box which hung over the head of
his bed. Immediately, O marvel! each leaf of the poplar branch changed
into a gold ducat. When the others heard of this, they hastened to look
for their branches, but they never found them again.
Public-domain text, read in full here on John Shaqi.
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