"Brat!" cry I, eagerly, snatching at his coat-sleeve, like a drowning
man at a straw. "Will _you_ be our _vis-à-vis_?"
"All right," replies the Brat, gayly, "but I have not got a partner
yet."
Off he goes in search of one, and Ashton and I remain _tête-à-tête_. I
suppose I ought to take his arm, and lead him to the top of the room.
After a moment of hot hesitation, I do this. Here we are, arrived. Oh,
why did I ask him so soon? Two or three minutes elapse before the Brat's
return.
"How nicely you have all done the decorations!"
"I am glad you think so, my lady."
"They are better than ours at the church."
"Do you think so, my lady?"
A pause. Everybody is choosing partners. Tou Tou, grinning from ear to
ear, is bidding a bashful button-boy to the merry dance. Father--do my
eyes deceive me?--father himself is leading out the housekeeper.
Evidently he is saying something dignifiedly humorous to her, for she is
laughing. I wish that he would sometimes be dignifiedly humorous to us,
or even humorous without the dignity. Barbara, true to her life-long
instincts, is inviting the clergyman's shabby, gawky man-of-all-work, at
whom the ladies'-maids are raising the nose of contempt. Mr. Musgrave is
soliciting a kitchen-wench.
"Are there as many here as you expected?"
"Quite, my lady."
Another pause.
"I hope," with bald affability, in desperation of a topic, "that you
will all enjoy yourselves!"
"Thank you, my lady!"
Praise God! here is the Brat at last! Owing, I suppose, to the
slenderness and fragile tenuity of his own charms, the Brat is a great
admirer of fine women, the bigger the better; quantity, not quality;
and, true to his colors, he now arrives with a neighboring cook, a lady
of sixteen stone, on his arm.
We take our places. While chassezing and poussetting, thank Heaven, a
very little talk goes a very long way. My mind begins to grow more easy.
I am even sensible of a little feeling of funny elation at the sound of
the fiddles gayly squeaking. I can look about me and laugh inwardly at
the distant sight of Tou Tou and the button-boy turning each other
nimbly round; of father, in the fourth figure, blandly backing between
Mrs. Mitchell and a cook-maid.
Public-domain text, read in full here on John Shaqi.
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