Naomi : $b or the last days of JerusalemWebb, J. B., Mrs. (Annie)
History
Naomi : $b or the last days of Jerusalem
Webb, J. B., Mrs. (Annie)
Historical fiction; Jerusalem -- History -- Siege, 70 A.D. -- Fiction; Sieges -- Fiction
The terrace at the back of Zadok's house commanded a view of the
fields beyond the walls, and in that direction the noble equestrian
band, the flower of Vespasian's army, passed by, as they retired from
the city. They had traversed its whole circumference, and taken
observations of its strength, and the capability of its walls and
towers. Naomi knew that Marcellus belonged to this troop; and it was
not surprising that when she heard the trumpets echoing along the
side of Mount Olivet, she should look anxiously from the
terrace-wall, and strain her eyes to distinguish him among the rest
of the cavaliers. She believed that she succeeded, and perhaps she
was right, for one of that band tarried behind his companions, and
turned his head long towards the spot where she stood; but if it were
Marcellus he did not perceive her, for he rode on without any signal
of recognition; and she returned to her mother to lament that she
should thus be divided, by all the obstacles of war, from the being
who was so well deserving of her affection.
Meanwhile one of the Roman commanders named Cerealis had passed to
the south, and entering Idumea, had taken Caphethra, Capharabis, and
Hebron. Almost every strong place was now in the hands of the
Romans, and nothing remained for their conquering arms to subdue but
Herodium, Machærus, Masada, and Jerusalem itself. Simon had secured
himself and his forces in his stronghold at Masada while the enemy
were reducing Idumea; but when Cerealis withdrew from that district,
he again came forth and ravaged the already wasted country. He drove
a vast number of the wretched population before his pursuing army
towards Jerusalem, where they sought a refuge from his cruelty, and
once more he encamped before the walls, to wait for the opening of
the gates to admit him.
Public-domain text, read in full here on John Shaqi.
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