Naples, Past and PresentNorway, Arthur H. (Arthur Hamilton)
History
Naples, Past and Present
Norway, Arthur H. (Arthur Hamilton)
Naples (Italy) -- Description and travel
If I were not so eager to reach the Carmine, I should certainly
retrace my steps a little and go up the Strada Carbonara to the Church
of San Giovanni Carbonara, which contains much that is interesting,
and leads one straight to the tragic days of Queen Giovanna. But that
age of lust and murder, that perplexed period of woe and strife, does
not allure me when I have the Carmine almost in sight; and I turn
away past the railway station, and down the Corso Garibaldi till I
come to the round towers of the Porta Nolana, the only one of the old
city gates which still serves its ancient purpose and recalls the days
of fortification. Its twin towers are named "Faith" and "Hope," "Cara
Fè" and "Speranza," and when one passes in betwixt those virtues one
plunges into a throng which is as animated as the Strada Tribunali,
and considerably dirtier. The life of the people in this Vico
Sopramuro is elemental. It has but few conventions and disdains
restraints. A tattered shirt, gaping to the waist, admits the free
play of air round the bodies of boys and girls alike; the breeches or
the gown which complete the costume recall the aspect of a stormy
night sky when the rent clouds are scattered by the wind and the stars
peep through. It is as well not to loiter among this engaging people.
"The Neapolitans," said Von Räumer airily, "were invented before the
fuss about the seven deadly sins." I have no wish to make a fuss about
those or any other sins so long as they are practised upon other
people, and I feel completely charitable to the human anthill when I
emerge safe and sound in the wide square of the Mercato.
In this wide market-place, this bare spot of open ground which to-day
lies cumbered with iron bedsteads, and piled with empty cases, the
débris of last market day, the bitterest tragedy of Naples was played
out, and a scene enacted of which the infamy rang through all the
world. There is no spot in the whole city less beautiful or more
interesting than the Mercato; and in the hot afternoon, while the
churches are closed, and half the city sits drowsy in the shady spots,
I know no better way of passing time than in recalling some of the
poignant memories which haunt this place of blood and tears.
In an earlier chapter of this book, when I gave a rapid sketch of the
succession of Hohenstaufen, Anjou, and Aragon to the throne of the Two
Sicilies, I passed on without pausing on the story of the boy-king
Corradino, little Conrad, as the Italians have always called him. It
is time now to tell the tale, for it was on this spot that the lad was
murdered.
Public-domain text, read in full here on John Shaqi.
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