Naples, Past and PresentNorway, Arthur H. (Arthur Hamilton)
History
Naples, Past and Present
Norway, Arthur H. (Arthur Hamilton)
Naples (Italy) -- Description and travel
The Convent of Santa Marta lies towards Vico Equense, high up in the
olive woods, in a lonely situation, guarded by its sanctity. That had
been quite enough, until Fra Diavolo came into the world, to keep safe
not only the nuns, but even their gold statue of the Madonna, which is
perhaps more wonderful, though both are sterling proofs of the
excellent and reverential morals of the people.
One Scarpi dwelt in the woods above Castellammare, with a faithful
band of followers who loved him. I fear he is forgotten now, which is
scarcely just, for he was a bold and bloodthirsty bandit. But as is
said in the _Purgatorio_ on a similar occasion--
"... Credette Cimabue nella pintura
Tener lo Campo! ed ora ha Giotto il grido."
In Brigantaggio it is just the same, and Scarpi's just celebrity is
obscured by the greater fame of Fra Diavolo.
Scarpi was torn two ways; cupidity reminded him that the golden statue
was easily obtained, piety interposed that it would be a shocking
crime. Nothing worse was set down against him than the usual tricks on
travellers, slitting their ears, and dismissing them upon occasion to
a better world. It was a pity to spoil so fair a record. But Fra
Diavolo, boy as he was when he joined Scarpi's band, possessed the
great advantage of a single heart. Cupidity was not thwarted by any
opposing force of piety, and craft came to make the weak arm strong.
He dressed himself like a novice, and going up boldly to the gate of
the convent proclaimed himself a penitent, and sought admission to the
Order. I doubt not he had an innocent face. The mother superior
welcomed him, and straightway shut him up in solitude for the usual
three days' communing with heavenly powers, which was to prepare him
for the spiritual life to which he aspired. The boy naturally wished
to make this intercourse as direct as possible, and making his way
unobserved into the chapel he seized the golden Madonna and hid her
under some straw in a cart belonging to a peasant whom some lawful
occasion had brought up to the convent. Having done this, he presented
himself before the Mother Superior, telling her reflection had
convinced him he was not fitted for a heavenly life--which was indeed
no more than the truth--and so departed with her approval.
Public-domain text, read in full here on John Shaqi.
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