Naples, Past and PresentNorway, Arthur H. (Arthur Hamilton)
History
Naples, Past and Present
Norway, Arthur H. (Arthur Hamilton)
Naples (Italy) -- Description and travel
I can find but little in the streets of Castellammare which invites me
to linger in them. There are mineral baths just outside the town, but
Providence gave me no occasion for visiting them, and I dislike the
apparatus of ill-health. I went past the baths, therefore, and
strolled on through the crowded, evil-smelling streets till I came out
again at the foot of the hill leading to the woods of Quisisana, and
went up once more beneath the green arches of the budding leaves, till
I saw from time to time a snatch of sea above the houses and the wide
sunlit plain revealed itself stretching far and distant round the base
of the great volcano.
As I went through the little village of which I spoke before, I
noticed hanging on a wire which crosses the road a doll made in the
likeness of an old grey-haired woman, adorned with a tuft of feathers
growing somewhat bare. As it swung to and fro in the light wind it had
the aspect of a child's plaything which had fallen there by chance;
but I had seen a similar doll hanging from a balcony in Castellammare,
and knew the thing to be no toy.
Such dolls are seen commonly hanging in the air at this season in the
Sorrento peninsula. The old woman is Quaresima, or Lent, and she is
provided with as many hen's feathers as there are weeks in that period
of fasting. Every Sunday one feather is plucked out; and when the last
is gone Quaresima is torn down with rejoicing. On the first Sunday of
her exaltation a playful diversion is carried on at the cost of poor
Quaresima. A boy or girl, chosen by lot, is blindfolded and armed with
a long stick, with which he strikes in the air, groping after the
swinging figure. At last he finds it, and a sharp blow breaks a
concealed bottle, letting out a red fluid--the blood of Lent; the
ceremony is diversified by a good deal of horseplay.
I know not how ancient these superstitious ceremonies may be. Italy,
perhaps southern Italy in particular, is crowded with usages handed
down from days so old that it sometimes causes me a shudder to
remember how many ages of mankind have passed by them in procession
off the earth. The toy, the trivial folly persisting still, more than
half meaningless, century after century, while the bright eyes and
laughing lips, all that we call life, pass on like shadows when the
sun goes in. It is the doll, the grotesque Quaresima, which has life
and endures, not we, however distasteful it may be to realise it.
Public-domain text, read in full here on John Shaqi.
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