Naples, Past and PresentNorway, Arthur H. (Arthur Hamilton)
History
Naples, Past and Present
Norway, Arthur H. (Arthur Hamilton)
Naples (Italy) -- Description and travel
At that point one can see no more; but from this seat on the opposite
side of the harbour one looks towards the headland, formerly most
beautiful. For the overhanging cliff was topped with brushwood; it was
chiselled into slopes and hollows, where the shadows lay superbly.
Midway up its height stood the white buildings of the Pensione
Caterina, with its terraced garden; and a winding footway cut below
the Pensione was the access for sailors to a quay and a pretty strip
of beach, where a few boats were hauled up and the larger barks of
fishermen lay moored in safety. So it looked on that December morning,
when, with little warning, all the face of the headland slipped away
and crashed down upon the shore, carrying with it nearly a third part
of the Cappuccini Convent, and burying the whole of the "Santa
Caterina" as completely as if it had never been.
Since that awful catastrophe, in which two ladies and several
fishermen lost their lives, the ruin has lain untouched. Probably it
will continue so, until time has covered up the scars with moss and
lichen, and softened the piteous tale of the two lost ladies with all
the grace and charm of folklore. Landslips and encroachments of the
sea have dealt hardly with Amalfi. Perhaps it is scarcely strange that
a people so buffeted by fate should lose their hope of greatness, and
conceive no interest save the pillage of their guests. Returning to
the centre of the town, I turn off from the marina by the first
archway leading to the piazza, just where a tablet on the wall calls
on Mary by the name of Stella Maris, "Star of the Sea," to aid all
sailors in peril of the deep; and ere quitting the shadow for the
sunlight, I stand in wonder at the beauty of the prospect. The piazza
is irregular in shape, roughly triangular, following the conformation
of the ground. In its midst is an ancient statue round whose base the
pavement is stacked high with vegetables, piles of lettuces and
carrots lighting up the grey shadowy space, round which stand the
high, irregular houses, with quaint alcoves and dark stairs climbing
to the higher stories. There is a deafening babble of tongues,
swarthy, broad-browed women kneeling by their baskets and screaming
ceaselessly at the purchasers, who themselves are no less voluble,
while the confusion is increased by bawling children, of whom some one
is every moment at the traveller's elbow, pestering him with "Signurì,
u' sold'," and clinging like a leech, in spite of the angriest
"Vattèn" which stranger-lips can speak.
Public-domain text, read in full here on John Shaqi.
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