Naples, Past and PresentNorway, Arthur H. (Arthur Hamilton)
History
Naples, Past and Present
Norway, Arthur H. (Arthur Hamilton)
Naples (Italy) -- Description and travel
The curious penetrating charm of this terrace garden, the marvel of
its view across the fabled sea which was cleft by the galleys of
Ulysses and Æneas, appealed so strongly to the most romantic spirit of
our generation that Richard Wagner, signing his name in the visitors'
book of the Hotel Palumbo, added the words, "Klingsor's Zaubergarten
ist gefunden."
Destiny is sometimes overkind, or she would not have added to a spot
so rich in memories all the associations which are called up by those
four words,--the lovely songs of the flower maidens, most exquisite of
all our age; the strange passionate seduction of the enchantress
Kundry, plucking chord after chord of memory; the wild ecstasy of
spiritual purity reasserting its dominion over the guileless fool, the
magic spear hurled at him from the battlements and caught harmless in
mid air, the crumbling of the castle walls like the unsubstantial
fabric of a vision. Many an age will go by before what is noblest in
the heart of man will cease to be uplifted by this great fable. And it
is to Ravello that our thoughts must turn whenever _Parsifal_ exalts
them. It is on this mountain-top that the great temptation was trodden
underfoot.
Beyond the Palazzo Rufolo the old mountain city prolongs itself into
what was once its most exclusive quarter, the "Toro." The nobles of
this privileged spot held themselves aloof from their fellow-townsmen,
and assumed the privileges of a ruling caste. On the Piazza in the
centre of this quarter stands the Church of San Giovanni del Toro, of
which Pansa said that it was the most beautiful seen in many hours'
journey along this coast. Like the cathedral, it has been sorely used;
yet of late years something has been done for its preservation. The
crypt with its interesting frescoes was ruined and inaccessible when
Schulz visited Ravello, but is in tolerable order now. There is a
mosaic pulpit, less beautiful than that of the cathedral, but still
magnificent, and traces of fine frescoes remain to show how the
keepers of the church interpreted their obligations to posterity.
Public-domain text, read in full here on John Shaqi.
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