ready! And this is not permitted! This is forbidden! Yes, Monseigneur, this is forbidden! Who opposes it? Who does not permit it? Who forbids it? Monsieur Bonaparte, you are master, you have eight millions of votes for your crimes, and twelve millions of francs for your pleasures; you have a Senate, with M. Sibour in it; you have armies, cannon, fortresses, Troplongs flat on their bellies, and Baroches on all fours; you are a despot; you are all-potent; some one lost in the obscurity, unknown, a mere passer-by, rises before you, and says to you: "Thou shalt not do this." This some one, this voice that speaks in the darkness, not seen but heard, this passer-by, this unknown, this insolent intruder, is the human conscience. That is what the human conscience is. It is some one, I repeat, whom one sees not, and who is stronger than an army, more numerous than seven million five hundred thousand votes, more lofty than a senate, more religious than an archbishop, more learned in law than M. Troplong, more prompt to anticipate any sort of justice than M. Baroche, and who thee-and-thous your majesty. VII AN EXPLANATION FOR M. BONAPARTE'S BENEFIT Let us go a little deeper into all these novelties. Pray learn this also, M. Bonaparte: that which distinguishes man from brute, is the notion of good and of evil--of that good and that evil of which I was speaking to you just now. There is the abyss. The animal is a complete being. That which constitutes the grandeur of man is the being incomplete; it is the feeling one's self to be many degrees removed from completion; it is the perceiving something on that side of one's self, something on this side. This something is mystery; it is--to make use of those feeble human expressions which always come one by one, and never express more than one side of things--the moral world. This moral world man bathes in, as much as, more than, in the material world. He lives in what he feels, more than in what he sees. Creation may beset him, want may assail him, pleasure may tempt him, the beast within him may torment him, but all in vain; a sort of incessant aspiration toward another world impels him irresistibly beyond creation, beyond want, beyond pleasure, beyond the beast. He glimpses everywhere, at every moment, the upper world, and he fills his soul with that vision, and regulates his actions by it. He does not feel complete in this life on earth. He bears within him, so to speak, a mysterious pattern of the anterior and ulterior world--the perfect world--with which he is incessantly, and despite himself, comparing the imperfect world, and himself, and his infirmities, and his appetites, and his passions, and his actions. When he perceives that he is approaching this ideal pattern, he is overjoyed; when he sees that he is receding from it, he is sad. He understands thoroughly that there is nothing useless or superfluous in this world, nothing which does