Charles Hurst had not been so happy for a long time. To evoke one of his
moods of glowing pathos, he had only to gaze at himself in a mirror and
think of Julia. She had committed herself but very little, yet he was
mystical in his certainty of their future relationship. When he recalled
the way she looked at him as if asking him not to hurt her too much he
was confirmed in his belief that she had laid aside the subterfuges of
more commonplace and less courageous women. "Damned if I look as young
as I did!" He studied his reflection ruefully. He had a hazy perception
of his outward defects and regretted them. "Growing old's hell all
right! Poor little Kate!" He was ashamed of the comfort of seeming less
his age than she. His sense of advantage made him tenderly apologetic.
When he was near her he wanted to pet her. "Rum deal women get. Life
after forty-five not worth much." He almost wished it possible for her
to console herself as he did, but he could not quite bring himself to
accept the logic of his imagining. Catherine with a lover! Women not the
same as we are. Men are a lot of ---- donkeys. Pity the girl never had a
kid.
His pale eyes grew grave and retrospective again, and he seated himself
on the edge of his bed just as he was, in socks and trousers and
undershirt, burying his face in his curiously formless hands. "By God, I
love that girl!" He threw his head up and shrugged his shoulders with a
shivering motion, as if what he felt were almost too much for him. "She
may think I'm a senile idiot and a damn fool--all the things Catherine
does." He smiled, talking aloud. "But she loves me! She loves me! By
God, she loves me! She's got to!" He ended on a playfully emphatic note
as though he were disposing of an invisible argumentator. When he went
into his bathroom to shave he whistled Musetta's Waltz from La Boheme.
There was an expression of innocent complacency on his thin good-humored
face. For a time he was absorbed in his music and his sense of
completeness and well-being.
Julia Farley. Too good. That Goode family. Bills. Fellow runs a car
like--Fast. Fast women. I hold her fast. I--
When his jumbled thoughts had proceeded to I-hold-her-fast, something
welled up as if from the depths of him, and he was physically blinded by
the dim intensity of his emotion. He frowned painfully. He began to
speak aloud again. "Too much, Charles, my boy. Too old for this kind of
thing. Damn! She's too good--too lovely--"
There was a knock at the door. Johnson, Mr. Hurst's man, was never
allowed in the room while his master was dressing, since Charles was
frankly embarrassed by the presence of a valet.
"Hello! Hello, Johnson."
"Telephone, sir. Mrs. Hurst wanted me to ask if you'd like to come, or
if I was to tell them to call later."
Julia! The mad hope that it was Julia.
"It's Mr. Goode, sir. He says he can't give me the message."
Public-domain text, read in full here on John Shaqi.
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