Narrative and Critical History of America, Vol. 1 (of 8): Aboriginal America
History
Narrative and Critical History of America, Vol. 1 (of 8): Aboriginal America
America -- Discovery and exploration; America -- History; United States -- History
IN considering the methods of record and communication used by these
peoples, we must keep in mind the two distinct systems of the Aztecs
and the Mayas;[1078] and further, particularly as regards the former,
we must not forget that some of these writings were made after the
Conquest, and were influenced in some degree by Spanish associations.
Of this last class were land titles and catechisms, for the native
system obtained for some time as a useful method with the conquerors
for recording the transmission of lands and helping the instruction by
the priests.[1079]
[Illustration: FAC-SIMILE OF A PART OF LANDA’S MS.
After a fac-simile in the _Archives de la Soc. Amér. de France, nouv.
ser._, ii. 34. (Cf. pl. xix. of Rosny’s _Essai sur le déchiffrement_,
etc.) It is a copy, not the original, of Landa’s text, but a nearly
contemporary one (made thirty years after Landa’s death), and the only
one known.]
It is usual in tracing the development of a hieroglyphic system to
advance from a purely figurative one—in which pictures of objects are
used—through a symbolic phase; in which such pictures are interpreted
conventionally instead of realistically. It was to this last stage
that the Aztecs had advanced; but they mingled the two methods, and
apparently varied in the order of reading, whether by lines or columns,
forwards, upwards, or backwards. The difficulty of understanding them
is further increased by the same object holding different meanings
in different connections, and still more by the personal element, or
writer’s style, as we should call it, which was impressed on his choice
of objects and emblems.[1080] This rendered interpretation by no means
easy to the aborigines themselves, and we have statements that when
native documents were referred to them it required sometimes long
consultations to reach a common understanding.[1081] The additional
step by which objects stand for sounds, the Aztecs seem not to have
taken, except in the names of persons and places, in which they
understood the modern child’s art of the rebus, where such symbol
more or less clearly stands for a syllable, and the representation
was usually of conventionalized forms, somewhat like the art of the
European herald. Thus the Aztec system was what Daniel Wilson[1082]
calls “the pictorial suggestion of associated ideas.”[1083] The
phonetic scale, if not comprehended in the Aztec system, made an
essential part of the Maya hieroglyphics, and this was the great
distinctive feature of the latter, as we learn from the early
descriptions,[1084] and from the alphabet which Landa has preserved
for us. It is not only in the codices or books of the Mayas that their
writing is preserved to us, but in the inscriptions of their carved
architectural remains.[1085]
[Illustration
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