Narrative and Critical History of America, Vol. 1 (of 8): Aboriginal America
History
Narrative and Critical History of America, Vol. 1 (of 8): Aboriginal America
America -- Discovery and exploration; America -- History; United States -- History
Thus his curious account of the
water sacrifices, not mentioned by any other published authority, is
verified by the full description of the same rite in the manuscript
of Molina. On the other hand, the long absence of the Inca from his
native country entailed upon him grave disadvantages. His boyish
recollections, though deeply interesting, could not, from the nature of
the case, provide him with critical knowledge. Hence the mistakes in
his work are serious and of frequent occurrence. Dr. Villar has pointed
out his total misconception of the Supreme Being of the Peruvians, and
of the significance of the word “Uira-cocha.”[1264] But, with all its
shortcomings,[1265] the work of the Inca Garcilasso de la Vega must
ever be the main source of our knowledge, and without his pious labors
the story of the Incas would lose more than half its interest.
The first part of his _Commentarios Reales_, which alone concerns the
present subject, was published at Lisbon in 1607.[1266] The author died
at Cordova at the age of seventy-six, and was buried in the cathedral
in 1616. He lived just long enough to accomplish his most cherished
wish, and to complete the work at which he had steadily and lovingly
labored for so many years.
Another Indian author wrote an account of the antiquities of Peru, at
a time when the grandchildren of those who witnessed the conquest by
the Spaniards were living. Unlike Garcilasso, this author never left
the land of his birth, but he was not of Inca lineage. Don Juan de
Santacruz Pachacuti Yamqui Salcamayhua was a native of the Collao, and
descended from a family of local chiefs. His work is entitled _Relacion
de Antigüedades deste Reyno del Peru_. It long remained in manuscript
in the National Library at Madrid, until it was edited by Don Márcos
Jiménez de la Espada in 1879. It had previously been translated into
English and edited for the Hakluyt Society.[1267] Salcamayhua gives
the traditions of Inca history as they were handed down to the third
generation after the conquest. Intimately acquainted with the language,
and in a position to converse with the oldest recipients of native
lore, he is able to record much that is untold elsewhere, and to
confirm a great deal that is related by former authors. He has also
preserved two prayers in Quichua, attributed to Manco Ccapac, the first
Inca, and some others, which add to the number given by Molina. He also
corroborates the important statement of Molina, that the great gold
plate in the temple at Cuzco was intended to represent the Supreme
Being, and not the sun. Salcamayhua is certainly a valuable addition to
the authorities on Peruvian history.
[Illustration
NOTE.—The title-page of the fifth decade Herrera, showing the
Inca portraits, is given above. Cf. the plate in Stevens’s English
translation of Herrera, vol. iv., London, 1740, 2d edition.—ED.]
Public-domain text, read in full here on John Shaqi.
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