A similar out-of-date ruff and mustache characterize the likeness at Madrid associated with the Duke of Berwick-Alba, in which the finery of a throne makes part of the picture. The owner had a private plate engraved from it by Rafael Esteve, a copy of which, given by the engraver to Obadiah Rich, who seems to have had faith in it, is now in the Lenox Library.[295] A picture belonging to the Duke of Veraguas is open to similar objections,—with its beard and armor and ruff; but Muñoz adopted it for his official history, the plate being drawn by Mariano Maella.[296] A picture of a bedizened cavalier, ascribed to Parmigiano (who was three years old when Columbus died), is preserved in the Museo Borbonico at Naples, and is, unfortunately, associated in this country with Columbus, from having been adopted by Prescott for his _Ferdinand and Isabella_,[297] and from having been copied for the American Antiquarian Society.[298] It was long since rejected by all competent critics. A picture in the Senate chamber (or lately there) at Albany was given to the State of New York in 1784 by Mrs. Maria Farmer, a granddaughter of Governor Jacob Leisler, and was said to have been for many years in that lady’s family.[299] There are many other scattered alleged likenesses of Columbus, which from the data at hand it has not been easy to link with any of those already mentioned.[300] [Illustration: COLUMBUS.—THE HAVANA MEDALLION. Reproduced from a cut in Charton’s _Voyageurs_, iii. 188.] The best known, probably, of the sculptured effigies of Columbus is the bust of Peschiera, which was placed in 1821 at Genoa on the receptacle of the Columbus manuscripts.[301] The artist discarded all painted portraits of Columbus, and followed the descriptions of those who had known the discoverer.[302] [Illustration: COLUMBUS. This is copied from one given in Ruge’s _Geschichte des Zeitalters der Entdeckungen_, p. 234, which follows a photograph of the painting in the Ministry of Marine at Madrid.] The most imposing of all the memorials is the monument at Genoa erected in 1862 after a design by Freccia, and finished by Michel Canzio.[303]