Our space will admit here of only a brief recognition, conformed however to its slight intrinsic importance, of an element entering into the Puritan agitation, which at the time introduced into it a glow of excitement and a marvellously effective engagement of popular sympathy. The controversy between the Puritans and the Prelatists had in the main been pursued, however passionately, yet in a most grave and serious spirit, with a profound sense of the dignity and solemnity of its themes and interests. But from the time and occasion when Aristophanes tossed the grotesque trifling of his _Clouds_ around the sage and lofty Socrates, down to this day, when Mr. Punch finds a weekly condiment of mischief and fun for the people of England in their own doings and in their treatment by their governors, it would seem as if no subject of human interest, however exalted its moment, could escape the test of satire, sarcasm, and caricature. Experimental ventures of this sort are naturally ephemeral, but they concentrate their venom or their disdain upon their shrinking victims. Some of Ben Jonson’s plays and Butler’s _Hudibras_ have now alone a currency, and that a by no means extended one, out of a vast mass of the printed ridicule which was turned upon the Puritans. But the matter now in hand is the skill and jollity with which one or more Puritans, with the gift of the comic in his stern make-up, plied that keen blade in his own cause. Erasmus, though he never broke from the communion of the Papal Church, engaged the most stinging power of satire and sarcasm, not only against mean and humble monks, but against all the ranks of the hierarchy, not sparing the loftiest. Helped out with Holbein’s cuts, Erasmus’s _Encomium of Folly_ drew roars of mirth and glee from those who winced under its mocking exposures. Even the grave Beza, in Geneva, tried his hand in this trifling. But the venture of this sort which cunningly and adroitly intruded itself at a peculiarly critical phase of the Puritan agitation, was of the most daring and rasping character. Under the happily chosen pseudonym of “Martin Mar-Prelate,” there appeared in rapid succession, during seven months of the years 1588 and 1589, the same number of little, rudely printed tracts, the products of ambulatory presses, which engaged the full power of satire, caricature, and sarcasm, with fun and rollicking, invective and bitter reproach and exposure against the hierarchy, especially against four of the most odious of the bishops. The daring spirit of these productions was well matched by the devices of caution and secrecy under which they were put in print, and in the sly methods by which they were circulated, to be caught up, concealed, and revelled over by thousands who would find keen enjoyment in them, as in the partaking of the sweets of stolen food and waters. They may be said to have stopped only at the very edge of ribaldry, indecency, and even blasphemy. But they were free