Narrative and Critical History of America, Vol. 4 (of 8): French Explorations and Settlements in North America and Those of the Portuguese, Dutch, and Swedes 1500-1700
History
Narrative and Critical History of America, Vol. 4 (of 8): French Explorations and Settlements in North America and Those of the Portuguese, Dutch, and Swedes 1500-1700
America -- Discovery and exploration; America -- History; United States -- History
In this connection the map of Gastaldi (1550) is somewhat remarkable.
Publishing it in 1556, in the third volume of his _Raccolta_ in
connection with the “Discorso d’vn Gran Capitano,” supposed to
have been written in 1539, Ramusio says that he is aware of its
deficiencies. This map, as well as the “Discorso,” makes no reference
to Cartier, though the country is called “LA NVOVA FRANCIA.” The map
gives a lively picture of the region. Norumbega appears as an island,
and Newfoundland as a collection of large islands, with evidences
of what may stand for explorations in the Gulf lying behind; but,
unlike the globe just mentioned, it shows no names on the coast of the
Gulf.[294] The insular character of the Norumbega region is not purely
imaginary, but is based upon the fact that the Penobscot region affords
almost a continued watercourse to the St. Lawrence, which was travelled
by the Maine Indians.
A map of Guillaume le Testu (1555),[295] preserved in the Department
of the Marine at Paris, exhibits very fully the work of Cartier. He
uses both the names “Francica” and “Le Canada.” To the Island of Prince
Edward, one cape of which Cartier called “Alezay,” he calls “Isle
Gazees.” The map marked xi. in Kunstmann’s _Atlas_ appears to apply “I:
allezai” to the same island.
Diego Homem’s map (1558), in the British Museum, also shows the
explorations of Cartier, though, in a poor and disjointed way,
representing the Northern Ocean as extending down to the region of
the St. Lawrence, and as being connected therewith by several broad
passages. Mercator (given by Jomard) reveals the discoveries of Cartier
in a more sober way, though he puts “Honguedo” at the Saguenay instead
of at Gaspé.
Public-domain text, read in full here on John Shaqi.
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