Narrative and Critical History of America, Vol. 5 (of 8): The English and French in North America 1689-1763
History
Narrative and Critical History of America, Vol. 5 (of 8): The English and French in North America 1689-1763
America -- Discovery and exploration; America -- History; United States -- History
After the picture (in the Mass. Hist. Society’s gallery) painted on
the voyage over by Smybert, who accompanied him. Cf. _Catal. Cabinet
Mass. Hist. Soc._, no. 41. A photograph of the picture of Berkeley and
his family by Smybert, now at Yale College, is given in Noah Porter’s
_Two Hundredth Birthday of Bishop George Berkeley_, N. Y. 1885; and
in Kingsley’s _Yale College_, i. 59. Smybert later painted many
portraits in Boston. Cf. _Mem. Hist. Boston_, iv. 384, with references.
His pictures, together with those of Blackburn, Pelham, and Copley,
richly preserve to us the look and costume of the better classes of
New England during the provincial time. Cf. Wm. H. Whitmore’s _Notes
on Peter Pelham_, Boston, 1867; Arthur Dexter’s paper on the “Fine
Arts in Boston” in _Mem. Hist. Boston_, vol. iv., with references in
the notes; A. T. Perkins on the portraits of Smybert and Blackburn in
_Mass. Hist. Soc. Proc._, Dec. 1878, p. 385, and May, 1879, p. 93. For
historic costume see Dr. Edward Eggleston’s “Colonists at Home” in
_The Century_, xxix. 882. It was when Copley was most in vogue that
the habits of the upper classes reached in their dress that profusion
of silk and satin, brocaded damask and ruffles, ermine and laces,
velvet and gilt braid, which makes up the descriptions in Mr. Perkins’
enumeration of Copley’s portraits. (A. T. Perkins’ _Life and Works of
J. S. Copley_, Boston, 1873. Cf. also Martha B. Amory’s “John Singleton
Copley” in _Scribner’s Monthly_, March, 1881, and her _Domestic and
Artistic life of Copley_, Boston, 1882.)]
The Rhode Islanders ejected (1732) Jenckes, their governor, because he
tried to stay their wild course in the emission of paper money. The
lieutenant-governor, John Wanton, led the opponents of Jenckes, and
secured the election of his brother, William Wanton, and two years
later succeeded to the chair himself.
George Berkeley, in England, had been pronouncing the age barren of
every glorious theme. Perhaps to transcend this level he conceived
a project of establishing a college in Bermuda for Indians and
missionaries.[279] So he came over to Newport (1729) to buy American
lands, and await or perhaps force a rise on them. The death of George
I. had crossed his pious scheme by drying up his fountains. Newport
was now a thriving town of 5,000 souls, the chief town in a colony
of perhaps 18,000 inhabitants. It had an Episcopal church in which
Berkeley sometimes preached, and to which he gave an organ. He had
brought over with him a Scotch artist, John Smybert, and so the patron
and his family, happy on the whole, though his glorious project had
not fructified, came out of the canvas under Smybert’s pencil; and
the picture went to Yale College, where we may see it now,[280] and
afterwards so did his books, and the deed conveying his Newport
farm,[281] when after two or three years he had gone back to England, a
disappointed man.[282]
Public-domain text, read in full here on John Shaqi.
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