Narrative and Critical History of America, Vol. 5 (of 8): The English and French in North America 1689-1763
History
Narrative and Critical History of America, Vol. 5 (of 8): The English and French in North America 1689-1763
America -- Discovery and exploration; America -- History; United States -- History
NEW ENGLAND IN GENERAL.—Of Cotton Mather’s _Magnalia Christi
Americana, or the Ecclesiastical History of New England from 1620
to 1698_, mention has been made in another volume,[322] and, as the
title shows, it touches only the few earlier years of the period now
under consideration. The book was published in London in 1702, and
a solitary forerunner of the edition reached Boston, as we know,
October 29 of the same year. It was the most considerable work which
had been produced in the British colonies, and was in large part an
unshapely conglomerate of previous tracts and treatises. Neal, Mather’s
successor in the field, while praising his diligence in amassing the
material of history, expressed the opinion of all who would divest
scholarship of meretriciousness when he criticised its “puns and
jingles,”[323] and said, “Had the doctor put his materials a little
closer together, and disposed them in another method, his work would
have been more acceptable.”[324] But Mather without Matherism would
lose in his peculiar literary flavor; we laugh and despise, while his
books nevertheless find a chief place on the shelves of our New England
library. Mather was still young when the _Magnalia_ was printed, but
he stood by his methods and manner a quarter of a century later, and
in publishing (1726) his _Manuductio ad Ministerium_[325] he defended
his labored and bedizened style against, as he says, the blades of
the clubs and coffee-houses, who set up for critics. He also belabored
Oldmixon in a similar fashion, when that compiler both borrowed the
doctor’s labors and berated his reputation, and Mather called him, in
his inveterate manner, Old Nick’s son.[326] Sibley not unfairly remarks
that these peculiarities of Mather’s style were probably almost as
absurd to his contemporaries as to ourselves;[327] and very likely it
helped to create something of that curiosity respecting him, which
Prince tells us he found in Europe at a later day.
In any estimate of Cotton Mather we may pass by the eulogy of his
colleague Joshua Gee,[328] and the _Life of Cotton Mather_[329] by
his son Samuel, as the efforts of a predisposing and uncritical
friendliness. We are not quite sure how far removed from the fulsome
flattery, if not insincerity, of funeral sermons in those days was the
good word upon his contemporary which came from Benjamin Colman.
Public-domain text, read in full here on John Shaqi.
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