Narrative and Critical History of America, Vol. 6 (of 8): The United States of North America, Part I
History
Narrative and Critical History of America, Vol. 6 (of 8): The United States of North America, Part I
America -- Discovery and exploration; America -- History; United States -- History
Sauthier's draft of the conflict at Harlem Plains is reproduced in
the _Mag. of Amer. Hist._, May, 1880. Later plans of the locality,
drawn with reference to the landmarks of the battle, or interesting
for comparison, are the map of 1814 in Valentine's _Manual_ (1856) and
the large folding plan of the upper part of New York, with the modern
streets, upon which, in colors, is superposed a draft of this action.
This last is given, with an account of the fight, in Shannon's _N. Y.
City Manual_, 1868, p. 812.[789] We may note some of the principal
contemporary and later authorities on this action of Harlem Plains.[790]
The origin of the fire of Sept. 21st, by which a considerable part of
New York was burned, has been a subject of dispute, the Tories charging
it upon the Americans;[791] but later authorities, English as well as
American, agree in not believing it the work of incendiaries. It is
known that Washington advocated the burning of the city if evacuation
became necessary, and Jones (i. p. 84) says committees of Congress had
agreed upon it, but that body certainly in the end directed Washington
to spare it (_Journals_, Sept. 3, 1776).[792]
[Illustration: JOHNSTON'S NEW YORK ISLAND, 1776.
A marks the position of Trinity Church; B, the City Hall Park; C,
the Mortier house, the American headquarters; D, Badlam's fort; E,
Spencer's fort; F, the redoubt on Jones's hill; G, Bayard Hill fort; H,
Hospital. Fort Stirling, in Brooklyn, is at K. The figures represent
the batteries and redoubts: 1, Grand battery; 2, Whitehall battery;
3, Waterbury's battery; 4, redoubts; 5, Grenadier battery; 6, Jersey
battery; 7, McDougal's battery; 8, Oyster (?) battery. The other marks
indicate the positions of barricades.
Public-domain text, read in full here on John Shaqi.
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