This function of miraculous power, which is most widely diffused through Pagan and Christian ages alike, but which has the least root in the solemnities of the imagination, we may call the _Ovidian_. By way of distinction, it may be so called; and with some justice, since Ovid in his _Metamorphoses_ gave the first elaborate record of such a tendency in human superstition. It is a movement of superstition under the domination of human affections; a mode of spiritual awe which seeks to reconcile itself with human tenderness or admiration; and which represents supernatural power as expressing itself by a sympathy with human distress or passion concurrently with human sympathies, and as supporting that blended sympathy by a symbol incarnated with the fixed agencies of nature. For instance, a pair of youthful lovers perish by a double suicide originating in a fatal mistake, and a mistake operating in each case through a noble self-oblivion. The tree under which their meeting has been concerted, and which witnesses their tragedy, is supposed ever afterwards to express the divine sympathy with this catastrophe in the gloomy color of its fruit:-- 'At tu, quæ ramis (arbor!) miserabile corpus Nunc tegis unius, mox es tectura duorum, Signa tene cædis:--pullosque et luctibus aptos Semper habe fructus--gemini monumenta cruoris:' Such is the dying adjuration of the lady to the tree. And the fruit becomes from that time a monument of a double sympathy--sympathy from man, sympathy from a dark power standing behind the agencies of nature, and speaking through them. Meantime the object of this sympathy is understood to be not the individual catastrophe, but the universal case of unfortunate love exemplified in this particular romance. The inimitable grace with which Ovid has delivered these early traditions of human tenderness, blending with human superstition, is notorious; the artfulness of the pervading connection, by which every tale in the long succession is made to arise spontaneously out of that which precedes, is absolutely unrivalled; and this it was, with his luxuriant gayety, which procured for him a preference, even with Milton, a poet so opposite by intellectual constitution. It is but reasonable, therefore, that this function of the miraculous should bear the name of _Ovidian_. Pagan it was in its birth; and to paganism its titles ultimately ascend. Yet we know that in the transitional state through the centuries succeeding to Christ, during which paganism and Christianity were slowly descending and ascending, as if from two different strata of the atmosphere, the two powers interchanged whatsoever they could. (See Conyer's Middleton; and see Blount of our own days.) It marked the earthly nature of paganism, that it could borrow little or nothing by organization: it was fitted to no expansion. But the true faith, from its vast and comprehensive adaptation to the nature of man, lent itself to many